This is the eighth and final short film in the series from Bloody Cuts (unless you count the example short they made for the “Who’s There” contest, which we’ll also be posting), and while it’s too bad it’s the last, it’s certainly an excellent one to finish out the series with. This is more fun the less you know going in, but I should note it is definitely gory enough to not be suitable for kids. Crank the sound on this one, and not just because it’s scarier that way, but because of the amazing sound/foley art (worth an award right there). The same goes for the visuals- anything less than HD and you’ll be missing out on some amazing effects.
Just to give you an idea of how much work (and blood) was put into Don’t Move, it features the biggest cast, the most deaths, the heaviest visual FX and the largest crew to date; over thirty people came together to make the bloodiest & tensest cut yet. Oh, and the Don’t Move shoot was so messy that fake carpet had to be laid down… and director Anthony Melton was forced to spend Monday morning cleaning blood off the walls. (Source: Bloody Cuts UK)
So what are you waiting for (other than daylight)?
Now THAT is how you fucking end a gory short horror film. BOOM! We’re not surprised that the director’s favorite horror film is Hellraiser (I don’t know about you, but I don’t think that visual will be leaving my head for
weeks months). If you want to know about Don’t Move, we’ve got plenty of goodies for you. Read on!
Here is what Bloody Cuts UK officially has to say about “Don’t Move” (on their website):
‘Don’t Move’ represents the directorial début of Bloody Cuts producer Anthony Melton, and his love of horror classics such as Hellraiser ensured ‘Don’t Move’ has become a tense, disturbing and brutally bloody short.
Developed as a challenge to create a horror script with little movement and hardly any dialogue, ‘Don’t Move’ crawled out of writer David Scullion’s twisted brain in 2010, where he promptly left it on a shelf to gather dust. When producer Ben Franklin discovered it in a basement two years later, Bloody Cuts quickly realized they had found their Episode 8.
Funded by the fantastic generosity of Horror-lovers all over the globe, the month-long Kickstarter campaign for ‘Don’t Move’ raised over £3000 and ensured Anthony’s ambitious vision was able to be realized… in spectacular fashion.
‘Don’t Move’ once again uses the special effects make-up talents of Neill Gorton’s Millennium FX (Doctor Who), who continue to bring their fresh and terrifying creations to life, and stars an excellent cast that includes Rachel Bright, Ian Whyte (Game of Thrones, Prometheus) and Jake Hendricks (Hollyoaks).
Incidentally, director / producer Anthony Melton’s favourite horror film is Hellraiser and the demonic entity in ‘Don’t Move’ was designed & created by industry-legend Cliff Wallace… who actually worked on the original Hellraiser! An absolute honour.
Trivia: the voice of ‘Paul’ at the beginning of ‘Don’t Move’ isn’t actually voiced by actor Martin Skipper. This was added later by Ben Tillett, who is also the director, writer and ‘Narrator’ of https://horrorboom.wordpress.com/wp-admin/post-new.phpSuckablood… did you spot the Phantom in the opening Steadicam Shot? [Ed. note: we still haven’t. Did you any of you guys?]
Here we have is the “making of” video; highly recommended watching… they worked their ASSES off on this one (and there’s less CGI than I thought).
I’m surprised they managed to shoot it over one weekend, I mean got-damn, it’s pretty elaborate.
Here’s something we thought was really cool. There’s a WordPress blog called Write-Shoot-Cut, and this page features an introduction by Neil Rolland (who got to see Don’t Move on the big screen as part of a special showcase event at the Bootleg Film Festival, Edinburgh) and a piece by the screenwriter of Don’t Move, David Scullion. He rightly points out that the script is ridiculously tame compared to the final product (but don’t let that stop you from reading it). Our personal favorite extra goodie we found is the actual script, a 12-page .PDF file that you can download on the page; here’s the link again.
Here’s the Kickstarter campaign page for Don’t Move, which also makes for interesting reading …and watching. There’s a cool video “pitch” which I can’t embed, so check it out on Kickstarter. I’m suddenly VERY bummed all over again that Bloody Cuts will not be continuing in its current form.
Finally, the usual awesome poster…
And remember, whatever you do…