DON’T MOVE (2013), Scariest Short Horror Film of the Week- Another Award-Winning Masterpiece From Bloody Cuts!

This is the eighth and final short film in the series from Bloody Cuts (unless you count the example short they made for the “Who’s There” contest, which we’ll also be posting), and while it’s too bad it’s the last, it’s certainly an excellent one to finish out the series with. This is more fun the less you know going in, but I should note it is definitely gory enough to not be suitable for kids.  Crank the sound on this one, and not just because it’s scarier that way, but because of the amazing sound/foley art (worth an award right there). The same goes for the visuals- anything less than HD and you’ll be missing out on some amazing effects.

Just to give you an idea of how much work (and blood) was put into Don’t Move, it features the biggest cast, the most deaths, the heaviest visual FX and the largest crew to date; over thirty people came together to make the bloodiest & tensest cut yet. Oh, and the Don’t Move shoot was so messy that fake carpet had to be laid down… and director Anthony Melton was forced to spend Monday morning cleaning blood off the walls. (Source: Bloody Cuts UK)

So what are you waiting for (other than daylight)?

Now THAT is how you fucking end a gory short horror film. BOOM! We’re not surprised that the director’s favorite horror film is Hellraiser (I don’t know about you, but I don’t think that visual will be leaving my head for weeks months).  If you want to know about Don’t Move, we’ve got plenty of goodies for you. Read on!

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Here is what Bloody Cuts UK officially has to say about “Don’t Move” (on their website):

‘Don’t Move’ represents the directorial début of Bloody Cuts producer Anthony Melton, and his love of horror classics such as Hellraiser ensured ‘Don’t Move’ has become a tense, disturbing and brutally bloody short.

Developed as a challenge to create a horror script with little movement and hardly any dialogue, ‘Don’t Move’ crawled out of writer David Scullion’s twisted brain in 2010, where he promptly left it on a shelf to gather dust. When producer Ben Franklin discovered it in a basement two years later, Bloody Cuts quickly realized they had found their Episode 8.

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Funded by the fantastic generosity of Horror-lovers all over the globe, the month-long Kickstarter campaign for ‘Don’t Move’ raised over £3000 and ensured Anthony’s ambitious vision was able to be realized… in spectacular fashion.

‘Don’t Move’ once again uses the special effects make-up talents of Neill Gorton’s Millennium FX (Doctor Who), who continue to bring their fresh and terrifying creations to life, and stars an excellent cast that includes Rachel Bright, Ian Whyte (Game of Thrones, Prometheus) and Jake Hendricks (Hollyoaks).

Incidentally, director / producer Anthony Melton’s favourite horror film is Hellraiser and the demonic entity in ‘Don’t Move’ was designed & created by industry-legend Cliff Wallace… who actually worked on the original Hellraiser! An absolute honour.

Trivia: the voice of ‘Paul’ at the beginning of ‘Don’t Move’ isn’t actually voiced by actor Martin Skipper. This was added later by Ben Tillett, who is also the director, writer and ‘Narrator’ of… did you spot the Phantom in the opening Steadicam Shot? [Ed. note: we still haven’t. Did you any of you guys?]

Here we have is the “making of” video;  highly recommended watching… they worked their ASSES off on this one (and there’s less CGI than I thought).

I’m surprised they managed to shoot it over one weekend, I mean got-damn, it’s pretty elaborate.

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Here’s something we thought was really cool. There’s a WordPress blog called Write-Shoot-Cut, and this page features an introduction by Neil Rolland (who got to see Don’t Move on the big screen as part of a special showcase event at the Bootleg Film Festival, Edinburgh) and a piece by the screenwriter of Don’t Move, David Scullion. He rightly points out that the script is ridiculously tame compared to the final product (but don’t let that stop you from reading it). Our personal favorite extra goodie we found is the actual script, a 12-page .PDF file that you can download on the page; here’s the link again.

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Here’s the Kickstarter campaign page for Don’t Move, which also makes for interesting reading …and watching. There’s a cool video “pitch” which I can’t embed, so check it out on Kickstarter. I’m suddenly VERY bummed all over again that Bloody Cuts will not be continuing in its current form.

Finally, the usual awesome poster…

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And remember, whatever you do…

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Award-Winning SUCKABLOOD! (2012, Bloody Cuts) Is The Scariest (And Coolest) Short Horror Film Of the Week

On dark stormy nights, the Suckablood comes
for those boys and girls who still suck their thumbs…


Early Teaser Poster for Suckablood

Early Teaser Poster for Suckablood


This dark little treasure is pretty scary, but I also defy any horror fan (especially those who follow Horror Boom) to watch this without grinning at least once. This one? No cheap jump scares, sudden blasts of sound (we try to avoid those when posting short horror movies, which is why we don’t always have them up on a weekly basis). From the opening frame, you can tell that the film-makers were having a hell of a fun time with this dark, gothic fairytale while putting every ounce of care and attention to detail they had–and then some– into Suckablood. This one’s a great ride, so crank up the volume and watch it on the biggest screen you have that’ll play HD. Check it out below …after lights out, of course (it takes place at night, and is best viewed that way).* If you can’t see what lurks in the background of the featured image above (hint: they’re red and glowing),  it needs to be darker in the room!

Spoilers after the film, so watch it before you read any more.

Moral: Sometimes it’s a bad idea to frighten small children into obedience with folktales at bed-time. Nothing goes as planned for anyone involved (except the Suckablood, I guess, who seems like he’s in a pretty good mood at the end).  This is why we’re going to miss the Bloody Cuts series of short films so much! I honestly can’t pick a favorite Bloody Cuts film, if pressed, I could probably pick the top three, and this would be in there (along with Dead Man’s Lake and… shit, you know what? I don’t think I can narrow it down to three).

Suckablood was the fifth film in the Bloody Cuts series, written and directed by Ben Tillet (who also does double duty as the spot-on narrator) and Jake Hendriks. Among others, special recognition should go to Enrica Sciandrone for the atmospheric, perfect score.

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The perfect gothic cinematography by Jonny Franklin also… OK, the hell with it, EVERYONE who worked on this one deserves special recognition:

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We found the above image (which Bloody Cuts owns the copyrights to) On a “Behind the Scenes” page/BIG photo album about the making of Suckablood on the Bloody Cuts site. Click here for much, much more on the official page… and here’s a good post on the Bloody Cuts blog about all the awards the short film has won! These include, but are not limited to:

  • First Prize for Best Horror in the 2012 International Filmskillet contest
  • The Audience Award at the Bootleg Film Festival
Suckablood has won the prize for Best horror in the 2012 Summer International Film Skillet conte – See more at:

The fantastic thing about the Bootleg Film Festival is the opportunity the audience (and the filmmakers!) have to chat to everyone about the films showcased. There is so much passion and talent there, it’s astounding.

As if the evening couldn’t get any better… we also received some excellent news courtesy of “Write Shoot Cut”, who announced that “Suckablood” had won TWO awards!

1.) “Suckablood” won The Golden Haggis Award, the Palme D’or of “Write Shoot Cut” – awarded to what they believe to be an exceptional short film. What an honour!

2.) “Suckablood” won The Audience Award, voted for by the people… which is amazing. Thank you!

– See more at:

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* I first saw it during the day and when I re-watched it in the darkest room in the house alone at night, caught things I missed on first viewing.