Hi kiddies! This is a portrait I shot of CRONE. SPFX by Midnight Studios FX. Signed 11×14 prints are currently available on Ebay! Hope you enjoy!
Yep, this has been published before. Let’s face it, the election clock ticking down has pretty much everyone on edge (at best). We can tell you that, through life experience, sometimes the way to get your mind off something scary in real life is to watch something fictional, like oh, a horror movie, that at least diverts the terror into a manageable area. So, we are (re)presenting a pretty goddamned scary short horror film to distract you! Enjoy, and just hit the category tag for ‘Scariest Short Horror Film of the Week’ (or month) if you want more. Hey, things could be worse… you could be the main character in this terrifying little gem.
You remember the scariest short horror film of the entire month of May, “Lights Out,” right? Uh, yeah, we remember it pretty vividly, too. We thought it won First Prize, and “Lights Out” did win Best Director.
We were surprised to find there was a Grand Prize Winner of the Bloody Cuts “Who’s There?” short film challenge that was a different film. How could anything be scarier than Lights Out? We were scared to watch “Play Time”, honestly, but it WAS still light out. It’s light out right now, which is why we are brave enough to post it. However, nice summer evening out or not, this one is fucking scary. I personally would be screaming as loud as the actress in the movie if I saw it in a movie theater, and probably more than once. If I was the actual character, I would have soiled myself (and well before the ending).
So if you want a good old-fashioned scare, turn out the lights, turn up the volume, and switch to full-screen. Then check this out:
So… not as much of a slow burn (if you can describe any three-minute short that way) as “Lights Out”, but…yeah. Doesn’t waste much time, and we loved it.
We do recommend the below “making of” short. It’s interesting… and it might help you sleep a little better.
Well, we’re not sure if a spoiler warning is in order here or not. There wasn’t a spoiler warning on the story, and Ryan Murphy pretty much gave the details casually, possibly because we are less than 48 hours away from “Chapter Six”. Most of it is pretty good news…
So, we got this all from a new piece that is exclusive to Entertainment Weekly. If you want to cut to the chase and read the story online, here’s the link (it’s their scoop, not ours).
Okay! First, Lady Gaga’s primal witch character, Scathach, ties in to Coven. Turns out that RM has confirmed she was the “first Supreme”. He alludes a little more to a Coven crossover, and we have to be honest: Coven was our least favorite season (admittedly, it didn’t help any that it had a tough act to follow, which was Asylum). But that’s just our opinion, and Coven did have some high points (Misty, Marie LaVeau, and Fiona was pretty fun, off the top of our heads). Murphy went on to say that American Horror Story will return to the Coven storyline in future seasons, but he doesn’t know when that will be.
Speaking of different seasons, we will see more Freak Show. To quote Murphy directly: “Next year, we will be going back to some Freak Show characters, deeper histories and mythologies. So we’re sort of still exploring season 4 in season 7.” Fine with us, especially if we get to see Naomi Grossman as Pepper again!
Taissa Farmiga fans, rejoice! She will return this season! Ryan Murphy told EW.com that he brought Farmiga back in (after her sitting out Freak Show and Hotel) because it was a matter of coming up with the right part for her.
He also confirmed that, though there are only ten episodes (GODDAMNIT!*), the finale will be a pretty big deal. “The finale is the wrap-up to Roanoke but the mythology and some of the characters will continue in subsequent seasons. So it’s the ending but not the ending,” says Murphy. Hmmmm…
Also, Murphy really stresses that the “upcoming twist” will be the biggest twist the series has had so far. Since we are on Season Six, that is saying quite a bit. We are trying to manage our expectations, but the other fans we’ve heard from are expecting nothing but being completely blown away. Several have said, in fact, they will be really pissed off if it doesn’t make their jaw hit the floor. Horror Boom is still sticking to our “Found footage, plus going behind the scenes of the filming of My Roanoke Nightmare, possibly including some American Horror Story regulars such as Sarah Paulson and Kathy Bates playing themselves” theory.
We found another Entertainment Weekly online story that went up after Chapter Five ended last week, with co-creator Brad Falchuck. In it, he says that fans should be prepared for these next batches of episodes to be their own thing. He explains, “I really think it’s three seasons: it’s like [episodes] 1 through 5, 6 through 9, and 10 is its own thing.” He also stresses, regarding the twist: “No matter what you think it is, it’s not that.” Well, that certainly doesn’t sound boring! We just hope we get to see Evan Peters again.
Here’s the teaser for tomorrow night’s episode one more time. The “never stop recording, no matter what,” found-footage statement reminds us of the original [REC] (2007). As everyone who has seen the movie will recall, that didn’t turn out well for absolutely anyone**, though we’re glad they kept recording so we could have the living shit scared out of us.
Souce: Entertainment Weekly Online
*Hell, we were really bummed out when we realized “Hotel” would only have 12 episodes. How do you think we feel now? No holiday break! What are we supposed to do now for our “post-Christmas depression”? On the bright side, we still have a chance for the two-part Halloween episode. They’d better not skip it this year.
**unless you count La Nina Medieros, AKA ‘The Attic Monster’
Once more, BIG spoiler warnings for the entire season so far of American Horror Story: Roanoke. Especially Chapter Five! And boy oh boy, do we have lots of images for you!
- Evan Peters is finally here on Roanoke! In possibly the best cold open American Horror Story has had since the “Freaks” tribute in Season 4’s “Showstoppers”, we find out he plays an extremely wealthy hardcore art enthusiast named Edward Philippe Mott. In 1792, he made the horrendous mistake of using the Roanoke cursed property to build a huge mansion as retreat for him, his art, and his lover Guinness*. And yes, he was an ancestor of the narcissistic sociopath Dandy Mott from American Horror Story Freakshow. “Madness always ran in the family,” Doris Kearns Goodwin (as herself) tells us.
On the night of the blood moon (we get a great shot of it hanging in the sky, crimson and sickly), his paintings get mauled and he freaks out (reacting as a parent would if they found their child’s head on a stick), screaming at his poor staff and then tossing them in the seriously deep root cellar (where they stayed until they had rotted into skeletal remains). Mott does not locate “the thief”. Instead, Tomasyn and her murderous supernatural gang drag him out of the house, impale him with a huge sharpened stake, and then push him into the fire while he is still screaming.
2. If Tomasyn is really, really pissed off at you during a blood moon, she can summon all her past victims. After the female Thai Ghost girl dropped into frame– about two seconds after Matt and Shelby told her to be brave because they were going to make it out of there– and made Flora scream, we knew they were going to wrap up the “My Roanoke Nightmare” true crime/reality show portion of the season (more on that later) and that we were in for one hell of a fun episode, so we turned of all the lights but our flatscreen, and sat back and let the roller coaster-haunted house thrill-ride begin.
Right off the bat, the Millers got the scary Thai ghost lady (if you are a Horror Boom regular, you already know we are huge, reverent fans of Thai ghost stories), who scuttles off speedily with poor Flora and eventually lets her go but leaves finger-shaped scars on her arms. The half-naked guy who has a pig’s head stuck over his own and makes horrible inhuman squeals, as well as the hunters who blew each other’s heads off proceed to corral the Millers for “an easy slaughter” while Tomasyn and her gang set the Miller’s cars on fire for good measure. Apparently, what Elias told them was true: all her former victims were still so terrified of her that she could control them when she needs them.
3. It turns out that Edward Philippe Mott’s severe social anxiety is what helps The Millers escape from the interior of the house and into the woods. In an extremely welcome return, he appears to them in the cellar (“Perhaps I may be of some assistance.”) and tells them he was the original owner. He leads him through the network of tunnels he included in the building (to smuggle out his beloved and expensive paintings if they were in danger) and tells them that though everything has been taken from him, he has been left with one sliver of grace: his solitude. “I can hardly suffer three more souls,” he explains. He gets them out of there and into the woods not so much out of kindness, but selfishness, but the Millers understandably don’t really give a shit because they just want to get as far away from the house as possible. To make the scene even more unnerving, his face flickers very briefly a few times in the light of his torch, revealing something far from human…
4. Elias wasn’t killed by the arrows, but it really would have been better if he had just died in the first place. Things do not improve for the Millers after Edward Mott dematerializes in the woods, away from the house as promised. Shelby realizes that in the forest, they are nothing more than prey. But, wait! Flora sees a light! Before they can wonder where the hell they are, they get whacked on the heads by shovels and unseen figures shove burlap sacks over their heads.
They end up in the same blood-curdling house where they’d seen the grotesque feral kids suckling the pig (who as I recall was dead or dying at the time–there were lots of flies around at the time, anyway). It turns out they are all members of the same terrible Polk clan, who are not only probably inbred, vicious, hostile, and insane hillbillys, but are also predatory cannibals! They kept poor Elias (who is terrified of “Mama Polk” and begs Matt to just kill him) alive so they could take his leg and his arm and eat him.As a small mercy for Elias, Mama Polk (Frances Conroy, another welcome familiar face along with Evan Peters) tries to eat a piece of “jerky” from him but spits it out, declaring that it, and Elias, are rancid. She says there’s no more use for him and they promptly cave in his head with a shovel. It isn’t pretty.
Oh, but it gets worse. It turns out The Polk family have had a deal with Tomasyn going back 200 years; they help provide for the blood sacrifice, and she leaves them (and their cannabis crops) alone. Could we mention that Frances Conroy can be really, really fucking scary when she wants to be? She delivers her most frightening performance–as Mama Polk– on the entire series to date.
As such, the Polks are going to return them to the dreaded house and the even more dreaded Tomasyn and her large group of murderous pilgrims.
5. Did we mention that Matt means well, but isn’t a rocket scientist when it comes to escape? They ride back in the bed of the pick-up with two of the Polks; Ishmael drives and Lot, played by Chas Bono, holds a shotgun pointed at them (also in the back). Matt makes his move and forces the shotgun away from him and his family, and successfully (though also possibly accidentally) blows Ishmael Polk’s head clean off (okay, maybe not so clean, but that head is mostly gone). Then he shoves Lot Polk over the side of the truck, leaving him sort of disabled on the road! Why, this is great news! Matt can simply shove the headless body out of the driver’s seat, grab the shotgun for back-up, hop in with his family, put the pedal to the metal and drive to safety at top speed! The keys are in the ignition, and the motor is even still running! Wait, Matt? Matt? Where are you going, Matt? Don’t run off into the woods, dummy, Lot is clearly not dead and still has his shotgun! Sigh.
The only explanation we get for this stupidity (other than total panic) is his statement: “I figured I’d rather us take our chances in the woods than be slaughtered like pigs”. Nope, that still doesn’t make sense to us, there was very little chance of them being slaughtered if they had grabbed up all the shotguns and drove out of town as fast as they could, meanwhile NOTHING has ever worked out for them in the woods!** In fact, the woods are not even safe in broad daylight, especially during the blood moon! They run into the woods, huddle up together and hide (sort of) behind a log. Within seconds, Lot is standing over them with his shotgun pointed in their direction and soon after that, Mama Polk is so infuriated with them killing her son that she brings her shovel down on poor Shelby’s ankle, hobbling her in a gruesome mess.
7. Matt’s sister Lee, though, is thinking straight. “Whatever was going on, it was bad. Matt wouldn’t just ignore my call, especially if he had Flora,” she recalls, and immediately asks the cop leaving the station with her for a ride. When they get near the Roanoke house, with all the murderous colonists plus Tomasyn carrying torches and standing around a blazing inferno of a bonfire in front, she calls out for the cop giving her a ride to stop and tells him to call for backup. For some reason (possibly because he sees what is going on and says “fuck this, I’m outta here”) he pulls out and hastily drives off, but Lee hears Flora’s screams and heads towards them.
8. Apparently, Tomasyn’s son Ambrose (Wes Bentley) is still pissed at his mother for killing him. He has also had enough, because he snaps. Right before it looks like poor Flora is going to die horribly, Ambrose puts Flora down instead of into the fire and yells, “Nooooo! I shall not stand by and watch thou shed another drop of innocent blood!” Ambrose conks her over the head with a huge piece of wood, then pulls her into the fire with him. When the Millers make their getaway (thanks again to Lee, pulling up in a car and yelling for them to get in) Shelby looks back and sees Tomasyn engulfed in flames, but still blundering towards them.
Oh, and you know who else is not too fond of Tomasyn? Little Priscilla, who was Flora’s “invisible friend” and probably remembers Tomasyn bashing her head in with a giant rock. Seriously, watch the smile on her face as The Butcher burns.
9. Shelby still has nightmares. We get a fake-out at the motel, when Shelby makes her way slowly on crutches towards the door and sees smoke leaking in from under it. She opens it just in time to see a burning Tomasyn before The Butcher buries a cleaver in her skull… then she jolts awake. “To this day, I still have that dream,” Shelby tells us. “I’ve tried yoga, meditation, hypnotherapy… We escaped with our lives, but I never completely got over it. I’m not sure I ever will.”
10. “My Roanoke Nightmare” as we know it has ended, but we still have five episodes left in the season. Ryan Murphy told us that in episode six, everything would get turned on its head. From the teaser for next episode of American Horror Story: Roanoke, it looks like we are entering (at least partially) “found footage” territory. Cheyanne Jackson, who played the interviewer in the reality-show segments, is seen in what looks like some kind of studio interior telling the camera, “Rolling? The camera never stops. No matter what anyone says, even if I tell you to stop, keep rolling, got it?” Cuba Gooding Jr. also made a comment about “breaking the fourth wall”, which leads us to think we might see some of the “re-enactors” such as Sarah Paulson and Kathy Bates playing themselves. Notice how we never got any closure on Lady Gaga’s primal witch character, Scathach? We think we might see her again. Hell, the Polks didn’t get killed off either (other than Ishmael), they just drove off.
- Evan Peters seemed to be having a blast playing Edward Mott. Nice to see a little snippet in the final act of the episode where he returns and cuts Matt and Shelby’s ropes so they “can make a grand escape”.
- If we were in the middle of building a house and heard a loud, horrible sound (the Closed Captions described it as an “inhuman howl”) coming from the woods in broad daylight, we’d dismantle the house and build it the fuck somewhere else.
- Doris Kearns Goodwin (who was wonderful to see cast as herself) reports that the “last Mott” died in South Florida in 1952. That story checks out. Good riddance, Dandy!
- So far, the AHS stars that we were told would appear as cast members this season but have yet to see are: Matt Bomer and Finn Whitrock. We wouldn’t be shocked to have a surprise appearance from, say, Gabourey Sidibe, Mare Winningham, Connie Britton, or NPH.
Aaaand, here’s the rest of those photos! Horror Boom does not own the rights to any of the American Horror Story images in this piece, FX owns the copyright. The ones here are provided for entertainment purposes only.
*Was I the only one that loved it when Evan Peters (as Edward Mott, that is) grabbed Guiness by his collar and pulled him in for a big deep kiss? The icing on the cake is that since Edward was part of the Mott family and had so far seemed pretty arrogant and snotty, we thought when he snapped, “Wait! Come back,” to Guiness it was going to be because he was going to bark some racist order at him. Instead, he passionately kissed him in front of his workers and staff.
**Unless you want to count Matt getting to bang Scathach (Lady Gaga), though from the look on his face, he wasn’t getting any pleasure out of it at all.
OK, so we don’t exactly know every single little thing (and face it, you wouldn’t want to know everything any more than we would) but this week’s issue of Entertainment Weekly* features Ryan Murphy and some of his favorite talent on the cover, with a big chunk devoted to AHS Roanoke. He drops some VERY interesting teasers on the episodes to come, and though he’s not dumb enough to give outright spoilers, there is quite a bit of information on what to expect this season, even some specifics about tie-ins to other seasons (hint: they’re not the seasons you’d expect). Here’s some specific highlights from the Entertainment Weekly cover story, plus some extra goodies!
NOTE: SPOILERS INCLUDED FOR AMERICAN HORROR STORY SEASON SIX : ROANOKE. IF YOU ARE NOT CAUGHT UP ON EPISODES ONE TO THREE, STOP READING AND CATCH UP. What the hell are you waiting for, anyhow?
Dandy Mott origin story, anyone? Remember that rotten, murderous, rich little prick from Freak Show? Finn Whitrock’s Dandy turned out to be much more dangerous and horrible than Twisty the Clown. He definitely deserved the horrible death he got while the surviving characters watched while happily chomping popcorn. Ryan Murphy says that we can expect the shows to “explain how the Motts began”. We hope that means we’ll get to see Frances Conroy this season, because we really missed her during Hotel.
Roanoke might seem more stripped down–RM’s rule going in was “no script longer than 36 pages, no cut longer than 41 minutes”**–but we still will get plenty of gore. For instance, he says, “If you ever want to see how you do a human disembowling, watch episode four and you’ll learn a lot”.
You would think Kathy Bates as “The Butcher” and her gang of long-dead colonists (Lady Gaga plays one), along with the murderous bloodthirsty nurses, would provide enough scares. We also get “Piggy Man”, as another horrifying apparition (or is he?), and the EW story refers to him as “one of the main baddies”. Piggy Man, who we saw in one of Dr. Cunningham’s found-footage VHS tapes, is the same one as the legend discussed in Murder House.
While EW was visiting the set, someone was getting set up with a “crotch harness”, but it isn’t for what you’d think after watching AHS Hotel. A character is killed after a very nasty staircase fall.
Here’s the big surprise: Halfway through the season, beginning with episode 6, everything you thought you knew about Roanoke gets flipped on its head. BIG TIME. Says Murphy: “The show has a huge turn, and the thing that you think you’re watching is not what you’re watching.” We are willing to bet that is going to include a departure from the mock reality crime show format.
Our speculation on the big twist? The scope of the show is going to widen, because the fact that the “real” family (Shelby, Lee, and Matt Miller) who “My Roanoke Nightmare” is based on all are alive and appear to be in one piece kind of ruins any suspense regarding who will survive and who is not. The story in the reality show might seem to wrap up, but we’ll see the evil continuing on outside the show. Maybe Angela Bassett, Cuba Gooding Jr., and Sarah Paulson themselves will be haunted, though that could get a little ‘meta’. Maybe we’ll see a little more a little more of Cheyenne Jackson (it took us a while to pick up on it, but he is the interviewer of the documentary My Roanoke Nightmare).
Your guess is as good as ours… and there are plenty of theories to explore online. Let’s hope the episodes get longer than the bare minimum, and hey, maybe we’ll even see a fish-eye lens shot or two.
We do have a few more miscellaneous nuggets from the Entertainment Weekly cover story. The whole “The Mist” misdirect isn’t mentioned (though it was pretty clever), but as far as all those involved in the filming and prep leading up to the surprise premiere date, they–and this is a direct quote– “took a blood oath not to reveal anything”. Scripts got shredded, actual security was hired, and even Sarah Paulson could only get two scripts in advance. Also, several phony semi-leaked plot descriptions were written under the name American Horror Story: Cul-de-Sac. Everything worked, up until some sleazes who wanted a payday from TMZ snuck onto the set and took a few photos, but fortunately, that was only a few days before the surprise premiere. Oh, and Murphy also knows the concept for next season… and then some.
Oh, and any rabid Even Peters fans who have been really, really upset he hasn’t shown up yet three episodes in? Take a deep breath and try to be patient, he IS signed on for this season. He isn’t even listed as a special guest star, but as a part of the main cast. They may be saving him (along with Finn Whitrock and Matt Bomer) for after the big mid-season switcheroo!
*Source: Entertainment Weekly, “Unlocking American Horror Story” by Tim Stack @ewtimstack, September 30, 2016/Issue #1433
**Not going to lie, this bums us out. The last few season’s extended episodes (“Hotel” was especially generous with these, even though there were only 12 instead of the usual 13 episodes) spoiled us, we guess. We’re going to pretend really hard that we did not only see ten “chapters” listed for this season on the reliable IMDB episode guide, though…
Well, we’re going to need to send you over to Spoiler-A-Rama section of Horror Boom for this one. But if your only reason for spending the 12-plus bucks to see the new Wingard/Barett “sequel” was to catch a glimpse of the brief, blurry shot at the climax of the movie, we can save you the trouble…
So, we were checking out fresh horror trailers on You Tube, and this one caught our eye as one with potential. First, the short version of the plot:
When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man’s existence a secret to save others from the same deadly fate.
Here’s the first trailer for the R-Rated flick (“Bloody, disturbing violence” is first on the list of MPAA description, so that’s a good start). Take a wild guess as to which character Doug Jones portrays…
We love the idea that “it spreads… like a virus” and tricks victims. Also, the fact that the evil of the title can possess or kill you merely by thinking about it is pretty frightening. Here is a more lengthy description from the upcoming flick’s official website:
People commit unthinkable acts every day. Time and again, we grapple to understand what drives a person to do such terrible things. But what if all of the questions we’re asking are wrong? What if the source of all evil is not a matter of what…but who? From the producer of The Strangers and Oculus comes The Bye Bye Man, a chilling horror-thriller that exposes the evil behind the most unspeakable acts committed by man. When three college friends stumble upon the horrific origins of the Bye Bye Man, they discover that there is only one way to avoid his curse: don’t think it, don’t say it. But once the Bye Bye Man gets inside your head, he takes control. Is there a way to survive his possession?
Uh, it doesn’t sound like it, since a popular way to control an entity is to find out that entity’s name, especially if it is a demon. But since you can’t say even say it out loud–let alone think it– lest risk possession, that seems problematic.
As we said before, we are big fans of the curse-that-spreads-like-a-virus theme, as well as urban legends (the title sure sounds like one), so far, so good. Written and directed by husband and wife team Stacy Title (directing) and penned by Jonathan Penner (this is his first major film screenplay), The Bye Bye Man will be hitting theaters January 13, 2017.
Wondering whether to go out of your way to see the latest Rob Zombie standard “slaughterhouse full of rednecks” flick? Check out Ryan’s always on-point review from The Missing Reel before you spend your time and money on it–trust us, you’ll be grateful that you did!
Rob Zombie’s 31 is his most Rob Zombie movie yet, this time injecting his signature style of trashy characters, vile dialog, and brutal violence into a compact version of The Running Man. But despite it featuring all the typical tropes that make his films stand out, 31 has to be Zombie’s most disjointed of them all. It’s a top-to-bottom mess that never finds cohesion between its characters and the violent world in which they exist, ultimately meandering through an incoherent plot. In it, five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game of survival.
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James Wan’s The Conjuring 2 did well in theaters and with critics, and it’s finally available for rental! There are no major spoilers here, just some fun trivia that we would be surprised if you had heard all about before now.
- Javier Botet played “The Crooked Man”. Search “Javier Botet” in the content for this site and you’ll come up with a hell of a lot a pieces he’s tagged in. Mr. Botet has portrayed many of the most frightening, nightmarish characters in the last ten years of cinema, including “the Medeiros Girl” in the fucking terrifying climax of [REC] (2007) and two other movies in the same franchise, the titular character of Mama (2013), who can kill you just by showing up, and the horrifying ghostly female apparitions featured in the only scary scenes in Crimson Peak (2015), among others. He is 6 ft 7 and weighs about 110 lbs, and he is also double-jointed. If you didn’t know Mr. Botet’s work well, you would think that the Crooked Man apparition in The Conjuring 2 was created by using CGI animation …but you would be wrong.
2/3. See that featured image up at the top of this piece? Notice the letters on the bookshelves? V-A-L-A-K. Also, check out the colorful letters on the window below…
4. Lily Taylor blew her voice out from screaming during filming of the first Conjuring. Vera Farmiga did her one better and blew out a damned lymph node from screaming (multiple takes were needed, which made it worse) filming her role as Elizabeth Warren during The Conjuring 2. Jesus! Ouch! [source: IMDB]
5. Did you know that to promote the DVD/Blu-ray release, the studio put out a trailer that consists of the original trailer backwards, and it is somehow even creepier that way? You can watch it right here (EW.com made it an exclusive, so no insert)… and (hint) listen.
6. Speaking of very scary voices, the actual recording of the possessed Janet Hodgson is played over the end credits. The dialogue in the movie follows the recording closely. If you are feeling brave and the lights are on, you can listen to it below (this recording goes for a full twelve minutes, unlike the condensed version played in The Conjuring 2). Regardless of your level of skepticism, does THIS sound like an 11-year old girl to you? The working class Hodgson family did not exactly have access to sophisticated voice-altering technology. Today it could be easily be faked …but not back in 1977. Listeners beware, however; this made the hair on our bodies stand on end.
7. You probably spotted Annabelle (you don’t forget that thing’s face) in her glass cabinet, along with the music box from The Conjuring in the Warren’s museum, but did you see the black and white painting hanging in the Warren’s office?
It’s the house from The Conjuring, along with that very distinctive tree. Minus Bathsheba’s shadow hanging from the tree, it looks very close to the image on the theatrical poster.
8. Here’s an extremely creepy one. During the Amityville séance cold-open, Elizabeth Warren is terrorized by (among other things) a demonic-looking little boy whose eyes glow a white-silver. Director James Wan was inspired by the following notorious photo claiming to show the youngest victim of the DeFeo massacre (copyright: Paranormal Guide), AKA the “Amityville Ghost Boy”.
9. There is yet another image where you can pick out the demon Valak’s name. This one, you need to be looking for (thank you, IMDB trivia section, for telling us the time mark in the movie). You can see the “V” in the “love” plaque, and the rest…
10. Finally, we are pretty sure this is just PR from the movie studio to promote the home video release of The Conjuring 2, though warning potential viewers of possible unexplained, dangerous paranormal activity directly caused by watching a copy might not be the best media strategy. Here are alleged scary incidents pointing to some kind of “visual curse” that is the result of watching…
Oh, GIMME A FREAKIN’ BREAK! Stupidest thing we ever heard, pffffft! We rented the movie on VOD and watched it Saturday night, and we’re fine! Calling bullshit on this one, because… because… what was that noise?
The ‘plot’ concerns a guy who edits films for some company. His boss is a jerk. The guy who had the job before him went insane and blew himself up in the pre-credits sequence, so for some reason the boss picks nerdy ‘Ed’ for the special project of editing “Loose Limbs” splatter movies. He never says what Ed is supposed to edit, but I guess that doesn’t matter. Ed is upset by some of the clips, working on them up at this house all by himself that the boss has decided to relocate him to for no apparent reason. He asks his boss if he can stop or do another project, but his boss doesn’t care. He starts to slowly go insane, supposedly from watching the clips, and wants to carry out the gory murders in real life. Or has he been this way all along? Please note that I am making this plot sound much more deep, interesting, and coherent than it actually is.
We don’t care about the characters at all, or have any sympathy for them, or even hate the bad guys. The plot is really, really boring and predictable. The splatter isn’t even that gruesome or creative-this is NOT worth renting just to see the gore, because what there is isn’t interesting or original.
All the ‘tributes’ to Sam Raimi just come off like really bad rip-offs, and no-one in the movie is anywhere near good-looking enough as Bruce Campbell, so you can’t distract yourself with that. I think an “Evil Dead II-Dead by Dawn” poster is only prominently displayed in one scene in the hopes that Sam Raimi will be flattered and not consider any sort of legal action. A trained chimp could have written a better screenplay. Every time I hear lines like “Are we having fun…yet?” (which even Bride of Re-Animator couldn’t pull off without making me wince) I start feeling like picking up some sort of deadly weapon myself. Characters just appear out of nowhere with no explanation, wandering in only to get killed. This might be okay if the movie was even remotely amusing or entertaining, but it was all I could do to keep from fast-forwarding through most of it. Fortunately I chose to pay some bills and balance my checkbook at the same time the movie was playing. Trust me, it did not require my full attention-I still felt like 90+ minutes of my life were wasted just by having this on in the background.
Don’t watch it, no matter HOW tempted you are- you’ll hate yourself for wasting your time and money. Horror fans will be completely disgusted by how incompetent it is. Even those who haven’t seen too many splatter movies should stay away, as there are so, so many movies out there you could rent that are much more well worth your while. If you want something brainless, low-budget and fun, rent something else. Complete waste of time with no redeeming qualities whatsoever. Be smarter than I was at the time and don’t be fooled by the “Warning-Not For the Faint of Heart” on the box. You have been warned!
*After hitting the age of forty, you will often make the unpleasant discovery that what occurred fifteen years ago seems more like a five-to-seven year old memory than something that apparently happened THREE TIMES LONGER AGO THAN THAT. Beware, millennials, this could very well be in your future… take it from a Gen-X’er.