Wondering whether to go out of your way to see the latest Rob Zombie standard “slaughterhouse full of rednecks” flick? Check out Ryan’s always on-point review from The Missing Reel before you spend your time and money on it–trust us, you’ll be grateful that you did!
Rob Zombie’s 31 is his most Rob Zombie movie yet, this time injecting his signature style of trashy characters, vile dialog, and brutal violence into a compact version of The Running Man. But despite it featuring all the typical tropes that make his films stand out, 31 has to be Zombie’s most disjointed of them all. It’s a top-to-bottom mess that never finds cohesion between its characters and the violent world in which they exist, ultimately meandering through an incoherent plot. In it, five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game of survival.
We’ll be adding more later, but for now we have this photo as proof (Source: EW.com/Entertainment Weekly).
Again, as we made no effort to even begin to hide here, the first official photo of Ms. Grossman as Pepper is the property of Entertainment Weekly– they own the copyright, not us. There was no way were going to miss showing you the screencap, though! PLUS, we know Pepper won’t get killed off, since Freak Show takes place in the 1950s (and the present, but this is clearly the 50s time period) and Asylum took place in the 1960s.
This will also mark the first time in American Horror Story’s four-season run that any character has ever recurred. Now come on– if you got to pick a character to see again, wouldn’t awesome Pepper be your first choice?
We actually had heard rumors about this before, but didn’t want to post anything until we knew for sure (in fact, we waited to the point where who knows, you might have heard this days ago, but we’re sure as hell posting it now). One of the people that said they saw “Pinhead” on the call sheet also told us that Glenn Close was appearing in the Coven finale, and we know how that went.
More as it comes in. Best news we’ve heard since we saw Tim Minear was penning the season premiere!
OK… last chance to keep from spoiling who the unbilled, “quirky”, well-liked A-List actor playing the detective in Kevin Smith’s body horror opus Tusk.Are you sure you don’t want to preserve the surprise?
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Mr. Johnny Depp! Just who we had hoped it would be. His daughter also appears in the movie.
This isn’t necessarily him in character, just a photo of Mr. Depp. We looked really hard for one of him appearing in the movie, too.
Kevin Smith’s first choice for the role was Quentin Tarantino, whom Smith says turned the part down because he’s not really focusing on acting so much these days. This may be–OK, will be– the only time in history Johnny Depp was the second choice for an acting role after the part was declined by Tarantino! Wikipedia (with Smith’s podcast as the source) says that Tusk’s starting date was delayed to November 2013 due to the filming location moving from Canada to North Carolina, “then an additional two days of filming occurred in Los Angeles for scenes involving Johnny Depp’s character Guy LaPointe”. Here’s the citation for that.
Who knows, they all could be lying their asses off as part of some elaborate prank, but that would actually hurt rather than help the movie. All sources point to Johnny Depp as the unbilled actor playing a (retired) detective looking into the missing-persons case of Justin Long’s character. We’re also going out on a limb here and guessing the detective will be killed right after he discovers that Michael Parks character has kidnapped him. A moment too late!
Here’s the first full-length trailer for Tusk, and honestly, we think it looks pretty goddamned horrifying (“fucked-up” seems to be the most used adjective by fans who caught the premiere at the Toronto International Film Festival Midnight Madness showing recently).
That’s what he gets for growing that hipster walrus mustache, huh?
So yeah, we heard some rumors, but decided they were too much of a drag to really be true. I mean, this movie had its world premiere LAST YEAR for Chrissake! Around this time!
We reproduced it here but do NOT claim any ownership or copyright, all the credit and the copyright belongs to Mike Fleming Jr]:
EXCLUSIVE: Green Inferno, the Eli Roth-directed film about student activists who travel from Gotham to save the Amazon rainforest only to be pursued by a cannibal tribe, has been taken off Open Road’s release calendar. The film was scheduled for wide release on September 5. I’m told this happened because financier Worldview Entertainment is balking at ex-CEO Christopher Woodrow’s commitment to provide the P&A.
Since this is Roth’s first directorial outing in six years and his budget conscious fright fare almost always scares up profits, this is almost as shocking as the subject matter and also a tasty bit of dish. I’ve confirmed from Open Road that the release date is scratched, though the distributor won’t comment further, including whether there will be a later release date or if this goes straight to video. Worldview has been going through a restructure since the abrupt and largely unexplained exit of CEO Woodrow, which Deadline revealed last June.
The company, now run by Molly Conners, put a freeze on all of Woodrow’s extravagant commitments and is scrutinizing every deal that was made. Green Inferno has been caught in that snare and is not alone; there is reportedly a lawsuit by Hoyt David Morgan, who claimed he staked $3.7 million in Worldview in exchange for exec producer credit on the Alejandro Gonzalez Inarritu-directed Birdman, only to be stiffed on the money and the credit.
Worldview is still squarely in operation, I’m told, with Conners determined to responsibly put the pieces back together. She will be in Venice to premiere Worldview pics Birdman and Manglehorn. It looks from here like the scrapping of Green Inferno from Open Road’s fall schedule has little to do with the quality of the film Roth directed, co-wrote and produced. Green Inferno was acquired by Open Road after it premiered in the Midnight Madness program at 2013 Toronto City to raucous response. It got a 77% Fresh rating on Rotten Tomatoes, a stat that makes it seem like if you hunger for one incredibly violent nightmarish Amazon cannibal film this year, Green Inferno might be just for you. It got a similar reaction last week at the Fantasia festival.
Roth is currently editing his latest film, the Keanu Reeves-starrer Knock Knock …[Roth] wouldn’t comment here, but he clearly likes his cannibal extravaganza, recently producing and releasing a mobile game for the movie.
I’m told that Worldview doesn’t intend to leave Roth high and dry, and behind the scenes talks are going on to try and figure this out. If that doesn’t rescue the wide release of this film, I imagine that someone will provide the P&A spend (it’s the first money to get refunded), or else another distributor will show an appetite and step to the plate for Roth’s cannibal fare.
[end of exclusive from Deadline.com]
OK, deep breath… count to ten…
First of all we’d just like to say: Fuck Worldview and whoever is responsible for this. There was a new DVD release Tuesday and we rented it Wednesday; they had the entire Green Inferno trailer and continued to state COMING SEPTEMBER 5th. We relaxed (and okay, were in denial at the time). By the way, all this went down last week and we managed to miss it, sorry we couldn’t spread the word to you sooner.
THEN, Movieweb.com ran a story a couple of days later. Eli Roth himself confirmed the story via Twitter. He kept his tweet short, apologetic, but vague (we’re pretty sure all this shit with the distributor mere weeks away from the release hasn’t exactly been a picnic for him, either; he’s made it very clear the movie was a labor of love).
Here is what Brian Gallagher at Movieweb.com had to say after that bummer of a tweet:
The film, which centers on a group of college activists who find themselves hunted by a tribe of cannibals in the Amazon jungle, was initially slated for release on September 5. Former Worldview Entertainment CEO Christopher Woodrow had previously committed to providing publicity and advertising for the horror film, but, following his abrupt exit in June, the studio is now questioning that commitment. It isn’t clear if the film will get a later release date, or if it will only receive a straight-to-video release at this point.
New Worldview CEO Molly Conners has put a freeze on all of Christopher Woodrow‘s reportedly “extravagant commitments” and is going through each deal once again. The production company is also facing a lawsuit from Hoyt David Morgan, who claimed he invested $3.7 million in Worldview in exchange for an executive producer credit on Alejandro González Iñárritu‘s Birdman, although he never received credit or reimbursement.
It is believed that Worldview’s decision to pull The Green Inferno from its slate has nothing to do with the quality of the movie itself. As Eli Roth mentioned in his tweet, the filmmaker and the studio are working to resolve this matter, and we’ll keep you posted with any updates as we receive them.
And we at Horror Boom will also be keeping an eye out for updates. Hey, maybe we can all start a support group…
OK, we’re going to go with bullet points. If last season’s “Coven” wasn’t exactly your favorite season (ahem), things may be looking up.
Ryan Murphy has said that he wanted a “comedic tone” similar to Coven, but that this season is just getting darker, and it’s going to not be so much in the tone of Coven, but closer to the tone of Asylum! Hey, nightmare time from AHS again!
Let’s get the bad news out of the way now: There is a 99% chance that Lilly Rabe will not be able to join the cast, as she has a scheduling conflict. Let’s cross our fingers she can at least show up for a cameo.
Vic Mackey Michael Chiklis will be playing the circus/freak show strongman (that’s pretty much how they looked back in the day, built like bulldogs rather than beefcake).
His character will be married to Angela Bassett’s character. Ryan Murphy described the character as the strong but sensitive type, who “is written to be quite vulnerable”.
Kathy Bates will play his ex-wife, and they’ll all have plenty of scenes together… which is great, since Bassett VS. Bates = pure gold. Chiklis will just be the icing on the cake!
Sarah Paulson will not be playing a character with two heads, but one with a conjoined twin. If you’ve seen photos of people born with a live, conjoined twin, this has the high possibility to become really, really disturbing.*
American Horror Story Freakshow Horror poster design by Mental Shed Studios. Horror Boom does not own the copyright.
The production will start shooting S4 in the middle of July. Kathy Bates says she’s starting to have costume fittings, and her character will appear in the portions of the show that take place in the late 1950s.
In a recent E! Online Spoiler chat, we found out about three new characters currently being cast: “that of the comedic ‘Larry’, ‘Bobby’, an extremely, extremely tall man described as a gentle giant, and ‘Sammy’, a role which will require prosthetics.” Yikes…
Evan Peters will be playing an as-yet unspecified ‘freak’, whom Jessica Lange’s character has ‘rescued’. Oh, and her character refers to them as “unusuals”, since let’s face it, no-one likes to be called a freak (even if they are employed in a Freak Show).
Denis O’Hare will return as “a collector of freaks,” according to Vulture. Of his relationship with Lange’s character, he hinted, “We’ll have lots of scenes with each other, but we’ll be battling.” We’re really glad he’s going to play a live character with a tongue this time around.
Actors that are definitely “in”, but don’t have specified roles as of yet: Frances Conroy (yes!), Emma Roberts, Jamie Brewer, and Gabourey Sidibe.
It’s “unusual” that Angela Bassett appears to be aging in reverse!
We have been told that the “big bad”- -glad they have one this season– will be someone (or something) called “The Clown Killer”. What we don’t know yet is if he is a clown that kills people, a killer who targets clowns, or possible a clown who only kills other clowns.
From the Paleyfeat 2014 panel.
*When I was young, I want to say…pffft…maybe 5th grade, my parents let me check out a book from the library titled “Freaks” that was in fact very sympathetic and compassionate. A little too informative for me at that particular age, though. I read about a man (who did work in a freak show) with a conjoined twin that had a head and an arm that hung there limply. The head would sometimes go to sleep and wake up, and it snored. The final sentence has been seared into my brain for decades: “When the head began talking, however, he committed suicide with a shotgun.” I assumed back then (and still have the strong feeling) that it wasn’t the fact that the head was talking that drove him to kill himself but what the head was saying.
Well, we went to the official site for Bloody Cuts and got a sinking feeling when THIS was the first video that greeted us:
So we looked and found the Bloody Cuts creators had posted this official announcement on their blog on Wednesday the 11th. We cut and pasted it; if anyone involved with Bloody Cuts isn’t comfortable with this, please drop Horror Boom a line (or even a comment; you were incredibly polite and thanked us when we did a piece on the brilliant short “Dead Man’s Lake”) and we’ll take it down and either post something else you prepared or simply a link to the blog. Anyway, here’s the announcement that gave us the blues:
Dear fans of Bloody Cuts,
Anthony, Jonny and Ben unfortunately have to announce with very heavy hearts that we will no longer be making Bloody Cuts episodes.
It’s been a tough decision, but for numerous reasons we felt that it was right for the series to end in its current format. Since the release of our eighth film “Don’t Move”, we’ve been working on other exciting projects that for one reason or another has taken us away from the Bloody Cuts series, and rather than see it die a slow death, we felt it better to end the series.
A lot of hard work has gone into getting the series it is today, but it’s the support of our viewers that has really kept it going, so we want to thank you all for following, watching, sharing and enjoying our films.
But as our YouTube channel is about to break the 1 million mark, we just wanted to remind you of some of the things Bloody Cuts has achieved:
We created one of the biggest short filmmaking competitions of its type with BCHorrorChallenge.com
We entered over 30 festivals worldwide
Well over 1.5 million views online
Released and sold out an entire order of limited edition Blu-rays
We won awards at Texas Frightmare, Bootleg and FilmSkillet film festivals
And much, much more…
Making Bloody Cuts has literally changed our lives. It’s been (and we don’t use this word lightly) AMAZING.
However this isn’t the last project we’ll work on, or indeed the last thing much of the team will work on together. So as new projects and films develop, we’ll still be using this website, our Facebook Page, Twitter account and YouTube channel to let you all know what’s going on. Many of the Bloody Cuts team members are also working on projects of their own, which we’ll want to share with you.
For the next few weeks bloodycuts.co.uk will remain live in its current state hosting all of our legacy content, although there will be a slight reshuffle in the not too distant future so do expect the site to take on a new spectral form.
So THANK YOU, to each and every person that has ever given their time to support Bloody Cuts. It is, and always has been, something born of collaboration and great talent.
Not many filmmakers could’ve achieved what our team has with such limited budgets and in such a short amount of time; this is nothing but a true testament to the hard work and generosity of all involved.
So we hope that you’ll all join us in raising a glass to Bloody Cuts, and to the future too.
As that era ends, another one begins – we look forward to our next filmmaking adventure and hope you’ll be able to join that with us too.
Kindest regards,
Ben, Anthony and Jonny (and the rest of the Bloody Cuts team)
Anthony, Jonny and Ben unfortunately have to announce with very heavy hearts that we will no longer be making Bloody Cuts episodes.
It’s been a tough decision, but for numerous reasons we felt that it was right for the series to end in its current format. Since the release of our eighth film “Don’t Move”, we’ve been working on other exciting projects that for one reason or another has taken us away from the Bloody Cuts series, and rather than see it die a slow death, we felt it better to end the series.
A lot of hard work has gone into getting the series it is today, but it’s the support of our viewers that has really kept it going, so we want to thank you all for following, watching, sharing and enjoying our films.
But as our YouTube channel is about to break the 1 million mark, we just wanted to remind you of some of the things Bloody Cuts has achieved:
We created one of the biggest short filmmaking competitions of its type with BCHorrorChallenge.com
We entered over 30 festivals worldwide
Well over 1.5 million views online
Released and sold out an entire order of limited edition Blu-rays
We won awards at Texas Frightmare, Bootleg and FilmSkillet film festivals
And much, much more…
Making Bloody Cuts has literally changed our lives. It’s been (and we don’t use this word lightly) AMAZING.
However this isn’t the last project we’ll work on, or indeed the last thing much of the team will work on together. So as new projects and films develop, we’ll still be using this website, our Facebook Page, Twitter account and YouTube channel to let you all know what’s going on. Many of the Bloody Cuts team members are also working on projects of their own, which we’ll want to share with you.
For the next few weeks bloodycuts.co.uk will remain live in its current state hosting all of our legacy content, although there will be a slight reshuffle in the not too distant future so do expect the site to take on a new spectral form.
So THANK YOU, to each and every person that has ever given their time to support Bloody Cuts. It is, and always has been, something born of collaboration and great talent.
Not many filmmakers could’ve achieved what our team has with such limited budgets and in such a short amount of time; this is nothing but a true testament to the hard work and generosity of all involved.
So we hope that you’ll all join us in raising a glass to Bloody Cuts, and to the future too.
As that era ends, another one begins – we look forward to our next filmmaking adventure and hope you’ll be able to join that with us too.
Kindest regards,
Ben, Anthony and Jonny (and the rest of the Bloody Cuts team)
Anthony, Jonny and Ben unfortunately have to announce with very heavy hearts that we will no longer be making Bloody Cuts episodes.
It’s been a tough decision, but for numerous reasons we felt that it was right for the series to end in its current format. Since the release of our eighth film “Don’t Move”, we’ve been working on other exciting projects that for one reason or another has taken us away from the Bloody Cuts series, and rather than see it die a slow death, we felt it better to end the series.
A lot of hard work has gone into getting the series it is today, but it’s the support of our viewers that has really kept it going, so we want to thank you all for following, watching, sharing and enjoying our films.
But as our YouTube channel is about to break the 1 million mark, we just wanted to remind you of some of the things Bloody Cuts has achieved:
We created one of the biggest short filmmaking competitions of its type with BCHorrorChallenge.com
We entered over 30 festivals worldwide
Well over 1.5 million views online
Released and sold out an entire order of limited edition Blu-rays
We won awards at Texas Frightmare, Bootleg and FilmSkillet film festivals
And much, much more…
Making Bloody Cuts has literally changed our lives. It’s been (and we don’t use this word lightly) AMAZING.
However this isn’t the last project we’ll work on, or indeed the last thing much of the team will work on together. So as new projects and films develop, we’ll still be using this website, our Facebook Page, Twitter account and YouTube channel to let you all know what’s going on. Many of the Bloody Cuts team members are also working on projects of their own, which we’ll want to share with you.
For the next few weeks bloodycuts.co.uk will remain live in its current state hosting all of our legacy content, although there will be a slight reshuffle in the not too distant future so do expect the site to take on a new spectral form.
So THANK YOU, to each and every person that has ever given their time to support Bloody Cuts. It is, and always has been, something born of collaboration and great talent.
Not many filmmakers could’ve achieved what our team has with such limited budgets and in such a short amount of time; this is nothing but a true testament to the hard work and generosity of all involved.
So we hope that you’ll all join us in raising a glass to Bloody Cuts, and to the future too.
As that era ends, another one begins – we look forward to our next filmmaking adventure and hope you’ll be able to join that with us too.
Kindest regards,
Ben, Anthony and Jonny (and the rest of the Bloody Cuts team)
Anthony, Jonny and Ben unfortunately have to announce with very heavy hearts that we will no longer be making Bloody Cuts episodes.
It’s been a tough decision, but for numerous reasons we felt that it was right for the series to end in its current format. Since the release of our eighth film “Don’t Move”, we’ve been working on other exciting projects that for one reason or another has taken us away from the Bloody Cuts series, and rather than see it die a slow death, we felt it better to end the series.
A lot of hard work has gone into getting the series it is today, but it’s the support of our viewers that has really kept it going, so we want to thank you all for following, watching, sharing and enjoying our films.
But as our YouTube channel is about to break the 1 million mark, we just wanted to remind you of some of the things Bloody Cuts has achieved:
We created one of the biggest short filmmaking competitions of its type with BCHorrorChallenge.com
We entered over 30 festivals worldwide
Well over 1.5 million views online
Released and sold out an entire order of limited edition Blu-rays
We won awards at Texas Frightmare, Bootleg and FilmSkillet film festivals
And much, much more…
Making Bloody Cuts has literally changed our lives. It’s been (and we don’t use this word lightly) AMAZING.
However this isn’t the last project we’ll work on, or indeed the last thing much of the team will work on together. So as new projects and films develop, we’ll still be using this website, our Facebook Page, Twitter account and YouTube channel to let you all know what’s going on. Many of the Bloody Cuts team members are also working on projects of their own, which we’ll want to share with you.
For the next few weeks bloodycuts.co.uk will remain live in its current state hosting all of our legacy content, although there will be a slight reshuffle in the not too distant future so do expect the site to take on a new spectral form.
So THANK YOU, to each and every person that has ever given their time to support Bloody Cuts. It is, and always has been, something born of collaboration and great talent.
Not many filmmakers could’ve achieved what our team has with such limited budgets and in such a short amount of time; this is nothing but a true testament to the hard work and generosity of all involved.
So we hope that you’ll all join us in raising a glass to Bloody Cuts, and to the future too.
As that era ends, another one begins – we look forward to our next filmmaking adventure and hope you’ll be able to join that with us too.
Kindest regards,
Ben, Anthony and Jonny (and the rest of the Bloody Cuts team)
The reason we were over on that page on the first place was to put the breathtaking short “Don’t Move” up as the Scariest Short Horror Film of the Week (actually, maybe the month), which we’ll still be doing. If you’re wondering what else Bloody Cuts UK-related we’ve posted since we began…
More news as it comes in, since the creators of Bloody Cuts are assuring everyone they have some amazing things in the works (and we believe them). Keep your eyeballs peeled here as we’ll be posting several more of their shorts (including ones related to the contest).
We’re especially going to miss the elaborately-crafted posters for each of their horror shorts, including this one for “Don’t Move”.
*Please note that our week was already ruined when we rolled out of bed Monday to be greeted first thing with the tragic news that Rik Mayall had suddenly passed, lest it sound like we’re trying to make anyone involved feel guilty; we were in a shitty mood before we read about Bloody Cuts ending. Plus, the DVD/Blu-ray of all the films did come out.
I actually think the spot called “The Pupil” goes a little too far (even though it’s CGI). Perhaps it’s the fact that my eyes are kind of red and itchy from an allergy flare-up, which is terrible timing. Here they are below; someone on You Tube made a compilation, so thanks for that… DAMN.
aaand here’s the new one, titled “Countdown,” where you actually get a glimpse of how hideous the vampires look (that may be the “Master” vampire at the end there; if they all are like this, I don’t see how any humans are going to be left to be characters on the show):
Jesus, those things are scary! They’re sure not like those candy-ass vampires that sparkle in the daytime …then again, I’m not a tweener. That’s a good thing; other than True Blood, I’m tired of the current hot vampires (and sexy as the TB vamps are, they’re shown doing some very ugly, monstrous things). Oh, and these vampires “shed” –I’m guessing permanently–their genitals, so forget sex anyway. Maybe that’s why these ones are so vicious and pissed-off.
From the official press kit:
A thriller that tells the story of Dr. Ephraim Goodweather, the head of the Center for Disease Control Canary Team in New York City. He and his team are called upon to investigate a mysterious viral outbreak with hallmarks of an ancient and evil strain of vampirism. As the strain spreads, Eph, his team, and an assembly of everyday New Yorkers, wage war for the fate of humanity itself.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Ephraim “Eph” Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawn shop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing.
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city – a city that includes his wife and son – before it is too late.
Writer, producer, director and novelist Guillermo del Toro has built his career on bringing fantasy and horror to vivid life. He wrote and directed the dark fairy tale Pan’s Labyrinth, which garnered six Academy Award nominations, including one for del Toro for Best Writing, Original Screenplay. The film went on to win three Oscars. Named by The Hollywood Reporter as a “Master of Horror,” del Toro’s other film credits include Pacific Rim, Hellboy and the upcoming Crimson Peak starring Tom Hiddleston, Charlie Hunnam and Jessica Chastain.
“So, how can we give our little Santa figurine that extra little bit of flair?” “How about we stick a light inside his head? Like he’s … glowing with Christmas cheer or some shit? Just do it, I’m sure it’ll look fine.” You were probably too distracted by Santa’s glowing demonic eyes there to notice what he’s sitting on: a tiny little house. And if you don’t think a gigantic Santa whose eye sockets are burning with the fiery embers of hell itself squatting on your roof is terrifying, it’s only because you haven’t seen the video of it in action yet.
(hit the photo below to cut to the chase, or keep reading for a link at the bottom)
Nope, no serious nightmare material here!
Here we go with another Creepy Holiday Countdown link. What is it, now, 8 days away? AAAAAAAAAIGH!That’s scary enough on its own. Where did that rum eggnog go?
Anyway, don’t miss this one–it’s well worth checking out! The “Snowman” with “Stocking” looks like a prop from a James Wan-directed ghost movie, the “Godzilla Santa” sounds cool until you see the photo–at which point you’ll hope no small children looked up at it and were terrified for life–and “So Apparently Terrified Infant Ornaments Are a Thing”…well, when you see it, you’ll wonder who is the hell thought it would NOT be creepy on a tree. We almost hope that one was intentionally creepy. The writing is hilarious, too-check out both pages! Click below–or on the photo of the ornament, also below, that unintentionally looks like a certain painting to read…
Uh… wow. We’re not entirely sure if Ryan Murphy knows the difference between a “tease” and a spoiler. Lots of these are pretty juicy, and there’s a couple we wish we hadn’t read, or that Murphy had been a little more vague on. But of course, we read them anyway! The link to the 10-page EW.com piece (which may or may not be an online exclusive, since the issue with the Entertainment Weekly cover story hasn’t shown in the mail yet) puts them on 10 different pages, so you have a chance to stop yourself before you read the next one.
We’ll try to keep the topics vague, but among other things, Ryan Murphy spills on:
Exactly how and why Stevie Nicks shows up (we had a theory on it, and now Murphy has confirmed it)
Witch Which core characters the last half of the season will focus on
If anyone has correctly guessed who the Supreme will be
Which character who only had a couple of scenes, then vanished, will be back with a vengeance
Who has what Murphy refers to as a “juicy midlife crisis”
Much more specific info about the witch hunter/s
The tone of the finale (which will air near the end of January)
SO, if any of those sound interesting to you and you want some BIG hints (and a couple things Murphy just blurted out rather than hinted at), click the big link below, buckle up, and check out the article! The Stevie Nicks reveal is #10, so you could always skip-click through the first 9 pages to get to it and find out, if you want.
And yes, there will be a Christmas break- probably longer than the current Thanksgiving break. The next episode, “The Sacred Talking”, airs on December 4th, 2013 (Eeeek!)
HORROR BOOM 