See (And Hear) Found-Footage Terror “The Hunt” (2010) – Scariest Short Horror Film of the Week!

We were actually searching for something else when we stumbled upon this little gem from AGoodSizeProductions. When we tell you it’s a must-see and must-hear, it’s because a few minutes in, an unseen monster makes one of the scariest goddamned sounds I’ve ever heard. Just wait till it shows up…

We’ve been combing the web for good shorts to put up for you guys. To be honest, there’s a lot of found-footage ones that, quality-wise, run from the borderline-unwatchable to the mediocre. “The Hunt”, about a group of men* who round up to hunt and kill, well, something big and hungry in the woods of Kentucky that has eaten and/or eviscerated several people (including at least one kid), is one of the good ones. Hint: they find what they were hunting for. So turn that volume up and experience it below!

Those good ole boys should have brought more bullets… maybe some hand grenades. Maybe a bomb, now that we think of it. Well, they did manage to track it down, we’ll give them that.  If I was in the hunting party (or the ‘camera crew’)? After I heard that sound I’d say, “Okay, I’m out! I changed my mind! That’s enough for me, I’m done,  just bring in someone else!” and get the fuck away from there pretty goddamned fast. If I didn’t have a ride, I’d just sprint until I was miles away.

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Yeah, that’s not gonna protect your ass.

 

*and of course, they get someone with a video camera (who starts out all excited but deeply regrets this choice by the ending) to go with them. Hey, we’ve seen more contrived set-ups for found-footage.

 

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Horror Boom’s Ten Scariest Asian Horror Movies Ever Made: #9: “Three Extremes” (2004)

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Straight up: do not watch the first segment of this movie, Fruit Chan’s “Dumplings”  if you’re pregnant (this may even be a bad movie for men whose wives/girlfriends are pregnant—though there is beautiful Bai Ling to look at). In fact, if a list existed of terrible movie choices to watch when ‘expecting’, I’m pretty sure it’d be in the top 10, along with Inside. Don’t eat while you’re watching it unless you have a very strong stomach. Though if you DO decide to eat, just make sure you are not eating …dumplings.*

Here’s the trailer for Three… Extremes:

Here’s a scene from “Dumplings”, though it could be spoiler-ish and isn’t exactly crystal-clear quality…

There’s a clip of the disturbing final scene on You Tube, but not only will it spoil the movie, it’s not as disturbing out of context. Just watch the entire film, it’ll earn the pay off.

Don’t expect much from the Park Chan-Wook segment, which is the only piece of cinema he wrote and directed that wasn’t spellbindingly above-par. I guess even the most talented, skillful, and hard-working among us drop the ball once or twice in their careers. Most reviews—by fans and critics alike—point to “Cut” as the weakest of the three films.  The fake-out opening was great, there was a twist or two, but it became a little too torture porny-y for my tastes. I’ll have to check and see if his longtime DP collaborated with him on this one, as it didn’t have the usual beauty and composition nearly every shot of a Chan-Wook Park film has.

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The Miike segment (“Box”) managed to scare me the most -and there was barely any blood. Replacing gore (though there is some disturbing imagery, it’s nothing compared to Miike’s usual bloodbaths), is a creeping dread that builds and builds until you get to a scary mental place where, if you’re not covering your eyes, you’ll want to. I’ve had to cover my eyes in two other features directed by Miike, but for different reasons. During the intense torture scenes in Imprint (the “censored segment” from Showtime’s Masters of Horror series) and Audition,**  I was covering my eyes out of squeamishness. In “Box,” I was covering my eyes because I was actively frightened of what I *might* see. Just the goddamned screen cap below from the trailer makes me feel uneasy.

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*Especially ones that crunch delicately when you bite into them.

**it is worth noting that Imprint‘s torture scene is definitely harder to watch than the notorious torture scene in Audition, though the latter’s sequence did make me briefly wince and cover my eyes protectively. If there’s anyone out there that can watch Imprint and remain perfectly calm and composed inside and out through the entire running time… then I don’t think I want to meet that person at all, let alone in a dark alley.

 

Rhino Horror Review: Contracted slowly rots away, one tooth at a time

Horror Boom would like to agree 100% with this assessment of Contracted (though Ryan of Rhino’s Horror was a little kinder than I was; click on the “Read More” link for his well put-together review and thoughts). Yesterday I attached my review of the movie to the re-blog; unfortunately I was on over-the-counter cold remedy since I “contracted” a flu virus myself a couple of days ago (obviously, it wasn’t anywhere close to what happens to the lead character in the movie and I sure as hell didn’t contract it the same way as she did). So when I wrote it I felt a little …swimmy (if this sounds like I was having any fun at all with the side-effects, trust me, I wasn’t).  I wasn’t exactly on my A-game, the formatting and grammar was shitty, so I took it down and will polish my review of Contracted and re-post soon. Meantime,  check out the Rhino Horror review (spoilers in the comments section …though trust me, the movie’s already spoiled fairly rotten, so what the hell, up to you).

 

There’s something about watching the human body slowly transform into unspeakable terror that will always find a way under my skin, and director Eric England delivers just that in his body horror feature Contracted. There are a few moments in the film that make this one a solid enough entry in the body horror genre, but its story and the questionable decisions made by its characters turn this one away from what could have been something great. It centers around a young girl who has a one-night stand with a stranger and contracts what she thinks is a sexually transmitted disease—but it is actually something far worse. As things begin to crumble around her, she is sent on a disturbing journey.

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‘Dexter’ producers explain finale, defend final season

The title of this EW.com piece gives you a hint as to the quality of the finale (“Wait wait wait! At least let us talk about this, we can explain!”, and do they get defensive? Take a wild guess).  Well, we will grudgingly give them props to go out on a pretty dark, downbeat note. The leaked spoiler for the Dexter series finale got a couple of things right, but fortunately left Quinn out of things. We just wish anything in the final season had been the least bit enjoyable and/or thrilling to watch. What did you guys think?

Warning: if anything bothered you in the finale, especially plot holes, this piece WILL piss you off. If the finale pissed you off, this will piss you off more, even if you didn’t think that was possible (this writer was willing to give the finale a D+, then decided, fuck those people, now it’s an F before even finishing reading the entire thing). We wouldn’t have blamed the interviewer/writer for saying, “yeah, I call bullshit on that,” and ending the interview in disgust before they said anything more they would regret later (career-wise, that is;  we doubt their opinions would change, especially on the arrogant and defensive attitude of the producers).  A roller-coaster-ride, this finale was not. Spoiler alerts, if you haven’t seen the finale yet…

 

Toronto: Eli Roth, Worldview Re-Team for ‘Green Inferno’ Sequel

Wow, that was fast.

We only need one hand to count the number of reviews online for The Green Inferno world premiere at TIFF Midnight Madness (as of this writing, anyway) and they’ve already got a deal in place for a sequel –and a great title– what, six hours after the credits rolled?

Three Eyeballs

We happened to catch this news because we’ve been up since E0513 of Breaking Bad aired Sunday evening and it took us this many hours to wind down and pretend we do NOT have to wait a week to see who survives the shootout (er, spoiler alert, retroactive) cliffhanger. Since it’s getting light out and we have to accomplish some things tomorrow today, we’ll have to post reviews for Green Inferno later (though we did Tweet a link to one). So far, the consensus among the three reviewers was 1. not enough characterization 2. a little too long to get to the action 3. sickest, goriest film yet from Eli Roth (practical effects provided by Greg Nicotero).  The last act does not disappoint — an absolute Grand Guignol (rather than torture porn; besides, there’s no duct tape in the jungle) gore extravaganza that one blog swore would NEVER get an R rating unless about ten minutes were cut. Most think it’s going to need to go to VOD because it might be too brutal even for the average theater-going horror fan. To which we say THEN BRING IT ON, BITCH!
Oops, another line from last night’s Breaking Bad episode. We still mean it, though.

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The Editing Room Takes On …World War Z: The Abridged Script!

BRAD PITT

That’s a relief. Looks like we’re getting straight to the action! Buckle up kids, this is gonna be zombie carnage on a scale never seen before. We’re talking GLOBAL amounts of gore and evisceration that…

MIREILLE ENOS

Er, don’t forget that this movie is, itself, ALSO single-mindedly bent on achieving worldwide saturation.

BRAD PITT

Huh? Why would that matter…

The ZOMBIE HORDE arrives!! LIMBS and SEVERED HEADS and BLOOD and ENTRAILS fly in all directions as There is lots of censor-friendly SCREAMING and RUNNING AROUND in a SUITABLE FOR MASS MARKET fashion!

BRAD PITT

I see your point. Well, an undead plague sanitized for international consumption is still an undead plague, I guess. Let’s go!!

They corral an RV and make a GETAWAY, but one of the DAUGHTERS turns out to have been BITTEN, forcing BRAD to make an unthinkable choice while raising the emotional stakes to intense heights of has an ASTHMA ATTACK! They park outside a PHARMACY.

-From the Abridged Script By Alex Wiebe

This script explains why we’re maybe not going to even bother renting the movie when it comes out… and also, we laughed our asses off. Click on the big red link below to read it!

 

World War Z: The Abridged Script • The Editing Room.

 

Cover of "World War Z: An Oral History of...

Warning: Movie bears no resemblance to the (far superior) novel. Great book, though!

 

Read Twenty Snippets From Reviews Of ‘The Conjuring’ That Make Us Even More Psyched For Friday! (UPDATED 6/17)

Yup, the long eagerly awaited horror movie from James Wan that got an R-rating from the MPAA for sheer scariness, The Conjuring, will finally be released into theaters this Friday, July 19th (we had to force ourselves not to end that sentence with at least eight exclamation points!!!!!!!!). Every review we’ve read makes us even more impatient and excited to see it. Here’s twenty (it started out as ten quotes, then the piece just …well, took on a life of its own, so to speak) of some of the best, most exciting excerpts/blurbs from various critics lucky enough to have seen it over the last few weeks. Enjoy (and get ready to start jumping from the top of a wardrobe up and down)! I’ve provided links to the reviews whenever possible.

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The Conjuring is probably the best, certainly in a long time. Thoughtful where its competition is glib, featuring substantive and relatable characters, and steadily-paced where most feel lackadaisical, rushed or uneven, Wan has made a truly great movie. And I’m only talking about the parts that I saw from between my fingers. –Todd Gilchrist, The Daily Dead

It’s very difficult to find a modern horror film that doesn’t make viewers laugh at it for even a few minutes, it is the curse of the “we’ve seen it all” audience –but The Conjuring knows you’ve seen it all and still manages to deliver some of the best scares I’ve seen in years.   -Spencer Perry, Shock Till You Drop

The Conjuring is a masterclass in absolute terror that’s destined to become a classic within the genre. There’s no question that for most it will easily be scariest film of the summer… or even the year. The flick showcases the kind of pure, relentless horror that will leave audiences thoroughly creeped out and screaming. –Steve “Uncle Creepy” Barton, Dread Central

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It’s not just the “jump scare.” That’s far too simple. As Wan showed in ‘Insidious’ – and does so even more so in his new film, ‘The Conjuring‘ – he is the unrivaled champion of a specific sort of hold-your-breath scene, where you know the jump is just about to happen. But he holds it. And holds it. And holds it just a little bit more. And just when you think it’s a goof or a head-fake, BLAM!, the thing you knew was going to pop out at you, pops out you – and there’s a good chance you just shouted and made a fool of yourself.  -Jordan Hoffman, for screencrush.com

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Ultimately the sort of relentless, expertly tricked-out scarefest that leaves one feeling happily drained rather than deeply, permanently unsettled, the film nonetheless heightens its impact by playing the material utterly straight where it counts.   –Justin Chang, Variety.com 

As any horror movie fan will tell you, it’s all about the sound when it comes to frightening the audience.  Well, The Conjuring nails it.  You have to prepare yourself to live in fear of what is coming while watching the movie, because the sound cues, or the hushed silence of a scene, is going to get you no matter how impenetrable you may think you are to scary movies.  —-Kathryn Schroeder, filmfracture.com

…This is something else entirely. For full-on fear and dread, the kind that makes you start squirming at the beginning of the scene, because you know someone’s about to open a door they shouldn’t, this movie starts creepy and maintains a hold on your spine for the next 112 minutes. –Alanso Durande,  The Wrap

The Conjuring manages to take what you expect from a film of this style and offer surprise on top of surprise. Instead of going for cheap gags and fake jump scares, the film sets-up and pays off every time with little room for you to prepare yourself for what comes next. Lest you think that The Conjuring will settle for typical “Here’s a scary lady face” or “Listen, a weird noise!” you’ll be in for a rude awakening when its relentless visuals cause you to lose sleep.  -Spencer Perry, Shock Till You Drop

If you get seriously freaked out by effective horror movies, I warn you… “The Conjuring” will stick with you. I can’t wait to see it again, and I am excited to see it with a big crowd. I think that shared theatrical experience of being terrified is one of the great thrills of being a film fan, and this should be a great example of that.  -DrewMcWeeny, HitFix

This sort of expert audience manipulation doesn’t come purely from scrimping and saving and working within budgetary constraints that prohibit the filmmakers from showing their monsters. It comes from truly understanding what is scary and how to maximize that suspense, with or without the money to show the monster that will eventually invade viewers’ nightmares.  -Todd Gilchrist, The Daily Dead

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The question is never what’s behind a particular corner, but the awful worry that something is already beside you; that it (and there are a lot of variations on “it”) can come from all sides.  –Samuel Zimmerman, Fangoria.com

…this house has seen many years of strange occurrences, murder and death, curses and witchcraft, and pain.  Just when you think you know the one evil presence that is lurking within you discover it’s much more perplexing than you ever expected, and a great deal more fun to watch because of it.  —Kathryn Schroeder, filmfracture.com

THE CONJURING not only wants to scare you, but loves to. Even indoors, the film’s action spreads out, soaking every inch of the frame. It’s twice that Wan stages multi-tiered spookshow set pieces, and both are intense, terrifying pieces of work. The entire film is. –Samuel Zimmerman, Fangoria.com

[Wan] springs the surprises within those long shots, timing things so they actually do surprise, often letting the creepy stuff actually creep up — this is the rare horror film where the fear isn’t in what terrible vision the movie might cut to next but in what might reach from the shadows you’re looking at.  -Alan Scherstuhl, The Village Voice

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Even as Wan employs familiar fright tactics, he brings to the material an evident emphasis on chilling iconography and careful rhythms, as opposed to leaning on money shots and hokey mythology to generate forgettable jolts…  even down to its very last shot, “The Conjuring” demonstrates a scary — and welcome — amount of care.  —William Goss, film.com

I can’t speak to the film’s accuracy in depicting the events in question, and I generally speaking have no sense of spirituality to bounce off of the events in the film. But there are things in Wan’s film that, for the sake of me sleeping soundly, I’d prefer never to see again.  –-Todd Gilchrist, The Daily Dead

There are scary movies, and then there are SCARY movies.  The Conjuring fits into the latter category as it will undoubtedly frighten you to the point of laughter, make you squirm in your seat, cover your eyes, and wish you had left the lights on in the house because you will be afraid of the dark when you get home.  The Conjuring is the horror movie we dream of, because it’s a hark back to an older style of horror filmmaking, before torture, excessive blood and guts, and the like took over cinema screens, and found-footage too. —Kathryn Schroeder, filmfracture.com

EXTREMELY effective. The Conjuring is home to some of the single most frightening haunted house scares ever committed to film. My biggest fear going in was that some of these moments would come off as goofy or too over-the-top, but Wan manages to clearly ride the line between reality and the absurd as if he were a stone grinding against the blade of a razor.  —Steve Barton, Dread Central

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…it takes almost no time for “The Conjuring” to immerse the viewer in its spell, as it teases seemingly minor jolts into frissons of terror, and turns a simple game of hide-and-seek into a tour de force of sustained excitement.   -Justin Chang, Variety.com

Most thrillers stop being terrifying when their mysteries are revealed, but in the screenplay by Chad Hayes and Carey Hayes, the more we know, the more we dread. As for me, I was screaming. Out loud. Which I generally don’t do in crowded theaters. For a movie like this, that counts as a standing ovation.  —Alanso Duralde,  thewrap.com

BONUS!  Two more great blurbs, added today -both the below are from Rolling Stone magazine’s Peter Travers:

  • “It scared the living crap out of me”.
  • “Know this: You’ll scream your head off.”

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Must See: Popcornhorror.com’s Voting Deadline For Your Favorite “Blood Games” Horror Short is April 30th!

We discovered this site today (of course, at the last minute, but it’s still not too late).

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We’ll try to (for now) give you the Cliff Notes version, with more to come. You can also just read the “About Us” section on PopcornHorror.com, but if you’re in a hurry:

Most of the staff either grew up in the 80s like us, or are younger but very well-informed and huge 80s horror fans. You just need to look at their’ favorites’ list under bios.

  • Popcornhorror.com is based out of Scotland, started in 2011, and is a website and an app (we do still recommend, when you’re watching the short films,  that you watch them on a laptop rather than a tiny screen the size of an index card, though).
  • Popcornhorror was made –does this sound familiar?– BY horror fans, FOR horror fans. And we know us horror fans always have the coolest shit, right?
  • They want to help out and encourage all short horror filmmakers, or aspiring ones, to send in their work and get it out there (but they don’t own the rights if they decide to post your submitted film). There’s more of that on the FAQ Page.
  • What’s not to love about all the above?

Anyway, since the clock is ticking, we highly encourage you to click here ASAP to check out six quality horror shorts that are the finalists for a contest they ran called “Blood Games.” The theme was basically, well, like it sounds. For the six finalists the tagline could either be It Started Off As A Game…  or  It Was Just Supposed To Be a Fun Game… or Some Games Should Never Be Played.  I believe the longest was ten minutes, another was a little over four, another two minutes.

From the nail-biting  horror short finalist "Click"

From the nail-biting horror short finalist “Click”

We didn’t feel at all like we were wasting out time after watching any of them. One of the finalists is well-made but didn’t stand out, another contender reminded me of a different, better short I saw on BloodyCuts.uk  last year that blew me out of the water,  another only has one word of dialogue yet definitely gets the message across, but all six of the finalists are better than most horror shorts you’ll watch.  One has a twist ending that I’ll bet… hell, I’ll bet our Park Chan-Wook Vengeance Trilogy Boxed Set on that you will NEVER see coming. I pride myself (and get on my own nerves) by almost never being surprised by a twist, it’s pretty rare when I see something I absolutely couldn’t even begin to second-guess. No, I’m not going to tell you which ones are which, go in clean–and not trying to figure out the twist–and find out yourself. It’s much more fun that way!

If you’re short on time and can watch only two, I’d recommend “Click” (for successfully using a simple, very chilling element to scare the hell out of you, while staying understated; I don’t think there’s one drop of blood spilled) and the recently released “Don’t Move” from our horror pals across the pond at Bloody Cuts. Now THAT one is full of gore and sleep-with-the-lights-on scary. Though the budget was very low, you would never, ever guess it from watching. Crank the sound– not so much for the jumps but the amazing stunning, crisp, and terrifying audio. You won’t see (nor have you seen) anything like it. “Don’t Move” is also currently the top vote-getter.

From the show-stopping NSFW horror short "Don't Move" (Bloodycuts.uk)

From the show-stopping NSFW horror short “Don’t Move” (Bloodycuts.uk)

Those are the two that stick in my mind–the chills and suspense in the simple (but very clever) terror of “Click” (that title is in no way internet-related), and the in-your-face horror show that is “Don’t Move,” with the kind of quality you’d expect from Bloody Cuts at the top of their game. Voting closes April 30th (I assume at midnight) so get in those votes for your favorite and most deserving of the prize package now!

Nope, I do NOT mind waiting for the fresh popcorn.

Some thoughts on the death of Roger Ebert, a man who meant a lot to us (Via The A.V. Club)

We especially like this tribute to Roger Ebert, who passed away on April 4th, from  The A.V. Club by Scott Tobias.

Some thoughts on the death of Roger Ebert, a man who meant a lot to us | Film | Newswire | The A.V. Club.

 

Yup, we’ve also got a battered, well-thumbed-through paperback of Roger Ebert’s Movie Home Companion (though we mostly blew off any negative reviews of horror movies we were already determined to see).  He will be missed–and do check out the article; it’s an especially thoughtful, moving, and realistic tribute.

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Barricade (2012) Gets A Dreaded One Stabby-Knife (Out of Five) Rating From Dread Central – Read Their Hilarious Review Here!

“My rewritten lyrics to Buffalo Springfield’s “For What It’s Worth” should have been the theme song for Barricade, easily one of my least favorite horror movie experiences of the past year. A tedious and muddled mess boasting an ending so lame it made me reconsider how hard I was on The Devil Inside.”

-from the Barricade Review by Foywonder on DreadCentral.com

So, Mrs. Horror Boom has been having a rough month (as you can see from the almost bare-minimum amount of posts/pieces the last few weeks)*  and watching as much as possible when she can for the entertainment and escapism value. Today I saw The Day (2012), which I was expecting to be about a 5/10 tops, with what I’d heard was a couple unexpected turns and some good acting from Ashley Bell (AKA, the actress whose amazing acting performance was the best thing in The Last Exorcism and the… OK, the only redeeming quality of The Last Exorcism 2). I admit, also heard there was at least one giant-sized, “HOAH!“** contained.

I’ll elaborate with my review later, but I was pleasantly (if you can describe a bleak post-apocalyptic horror/thriller movie with that adverb) surprised. Ashley Bell’s acting was nothing short of amazing (she may well have stolen the movie) and even though she plays a very stoic, tough woman who doesn’t speak one word more than she needs to,  and makes some possibly questionable choices to survive, I was rooting for her to survive the movie.  When I was briefly skimming some reviews before putting it in my Netflix DVD queue, I happened across a spoiler that some inconsiderate bastard didn’t feel it was worth the extra three-second hassle it would have taken them to put a spoiler warning in front of, even though it happens at the climax of the movie. Fortunately,  they mixed up the characters in question, so it was still a jaw-dropper… and a pretty fucking awesome one.

This is the GOOD movie, not to be confused by "Barricade".

This is the well-reviewed movie, not to be confused with the terrible “Barricade”.

I’d give The Day 7/10, only taking it down from an 8/10 because it was one of those bleak/dark movies the film-makers decide to bleach nearly all the color out of (à la 30 Days of Night, I’m too tired right now to look up the technical name of the process) expect for one flashback scene and adding some slight color to a couple other scenes, which isn’t a favorite choice of mine. Though in the filmmaker’s defense, I’m pretty sure in this case it was no avoid an NC-17 rating, because it is a violent, bloody movie, most of the gore coming from two or more humans trying to kill (and in one nasty case, torture) one another to survive. None of it is exploitational or really unnecessary, it fits in the plot and is earned, rather than just gore for the sake of gore. Don’t get me wrong, I’d be lying if I said I didn’t love Grand Guignol, as long as there’s some sense of showmanship about it, done right.

OK, I’ll save a longer review for later, but I do recommend The Day, especially if you like the survivalist genre, realistically tough chicks, and a clever script where the choices characters make are ones you could see yourself making. ANYWAY! The DVD rental showed a decent-looking preview for the movie Barricade, and it actually looked like a potential decent rental with a couple creepy moments in the preview. Not a lot of plot background, but that doesn’t mean it’s a bad movie. Turns out in this case, it does!

“Detailed” plot synopsis from the IMDB, which doesn’t exactly set you on fire to see the thing in the first place:

This movie is about the Shade family, a year after the death of the mother/wife Leah, the husband and father (Eric McCormack) and his two children go to a cabin retreat in the mountains. While there they are tormented by visions and happenings that start to scare them. But are these incidents real or in their minds? The father feels compelled to barricade them in the cabin in order to keep them safe. But will it work out?

Ooooooo!

No, no it probably won’t work out, for them or the audience. Oh, and the Parent’s Guide (contributed to by one of those neuters individuals that lists a man not wearing a shirt or a woman wearing a bikini, under “sex/nudity” …sigh)  lists the following under ‘Violence/Gore’:

A younger man rough-houses an elderly man. There are sounds of someone in pain being heard frequently throughout the residence.

Oh, I don’t know if even us jaded horror buffs have the stomach to experience that!  Inside (2007) and Hatchet 2 (2010) were one thing, but rough-housing is where I have to draw the line! Anyway, I had a dim memory that I may have been strongly warned against it, but since I could have confused it with a similarly-titled movie, I headed to trusty Dread Central (after seeing a 4.3 average on the IMDB) and discovered this hilarious review. Check it out below if you want a good laugh!

Barricade (DVD) | Horror Movie, DVD, & Book Reviews, News, Interviews at Dread Central.

I don't know, this looks like it might be a little bit  too scary for us...

I don’t know, this looks like it might be a little bit too scary for us…

*Sorry for the skimpy content, an old friend had a very sudden, serious medical crisis last month and passed this week. Hard to focus much on anything and both all of us at Horror Boom appreciate your patience – and thanks to those of you who sent kinds words.

**We’ve also heard this described as a “Holy Fucking Shit Moment” (or HFS moment, depending how easily offended the person you’re discussing it with is) Moment. Once we figured out how to spell it phonetically to exactly reproduce it, though, we like to use it a lot more. Example- audience reaction to a bus/car/truck coming speeding into frame out of nowhere suddenly and mowing down a character, often when they have just finished (or are even in the middle of) a sentence, sometimes causing them to more or less explode on impact. “HOAH!”

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