American Horror Story: Roanoke Update! Ryan Murphy Spills More Details On Big Twist!

Well, we’re not sure if a spoiler warning is in order here or not. There wasn’t a spoiler warning on the story, and Ryan Murphy pretty much gave the details casually, possibly because we are less than 48 hours away from “Chapter Six”. Most of it is pretty good news…

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So, we got this all from a new piece that is exclusive to Entertainment Weekly. If you want to cut to the chase and read the story online, here’s the link (it’s their scoop, not ours).

Okay! First, Lady Gaga’s primal witch character, Scathach, ties in to Coven. Turns out that RM has confirmed she was the “first Supreme”. He alludes a little more to a Coven crossover, and we have to be honest: Coven was our least favorite season (admittedly, it didn’t help any that it had a tough act to follow, which was Asylum). But that’s just our opinion, and Coven did have some high points  (Misty, Marie LaVeau, and Fiona was pretty fun, off the top of our heads). Murphy went on to say that American Horror Story will return to the Coven storyline in future seasons, but he doesn’t know when that will be.

Speaking of different seasons, we will see more Freak Show. To quote Murphy directly: “Next year, we will be going back to some Freak Show characters, deeper histories and mythologies. So we’re sort of still exploring season 4 in season 7.” Fine with us, especially if we get to see Naomi Grossman as Pepper again!

Taissa Farmiga fans, rejoice! She will return this season! Ryan Murphy told EW.com that he brought Farmiga back in (after her sitting out Freak Show and Hotel) because it was a matter of coming up with the right part for her.

He also confirmed that, though there are only ten episodes (GODDAMNIT!*), the finale will be a pretty big deal. “The finale is the wrap-up to Roanoke but the mythology and some of the characters will continue in subsequent seasons. So it’s the ending but not the ending,” says Murphy. Hmmmm…

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Also, Murphy really stresses that the “upcoming twist” will be the biggest twist the series has had so far. Since we are on Season Six, that is saying quite a bit. We are trying to manage our expectations, but the other fans we’ve heard from are expecting nothing but being completely blown away. Several have said, in fact, they will be really pissed off if it doesn’t make their jaw hit the floor. Horror Boom is still sticking to our “Found footage, plus going behind the scenes of the filming of My Roanoke Nightmare, possibly including some American Horror Story regulars such as Sarah Paulson and Kathy Bates playing themselves” theory.

We found another Entertainment Weekly online story that went up after Chapter Five ended last week, with co-creator Brad Falchuck.  In it, he says that fans should be prepared for these next batches of episodes to be their own thing. He explains, “I really think it’s three seasons: it’s like [episodes] 1 through 5, 6 through 9, and 10 is its own thing.” He also stresses, regarding the twist: “No matter what you think it is, it’s not that.”  Well, that certainly doesn’t sound boring! We just hope we get to see Evan Peters again.

Here’s the teaser for tomorrow night’s episode one more time. The “never stop recording, no matter what,” found-footage statement reminds us of the original [REC] (2007). As everyone who has seen the movie will recall, that didn’t turn out well for absolutely anyone**, though we’re glad they kept recording so we could have the living shit scared out of us.

Souce: Entertainment Weekly Online

*Hell, we were really bummed out when we realized “Hotel” would only have 12 episodes. How do you think we feel now? No holiday break! What are we supposed to do now for our “post-Christmas depression”? On the bright side, we still have a chance for the two-part Halloween episode. They’d better not skip it this year.

**unless you count La Nina Medieros, AKA ‘The Attic Monster’

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Our theory is that they spelled out “PIG” on purpose…

 

 

Ten Scary Things We Learned From American Horror Story: Roanoke “Chapter Five” (SPOILERS)

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Once more, BIG spoiler warnings for the entire season so far of American Horror Story: Roanoke. Especially Chapter Five! And boy oh boy, do we have lots of images for you!

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  1. Evan Peters is finally here on Roanoke! In possibly the best cold open American Horror Story has had since the “Freaks” tribute in Season 4’s “Showstoppers”, we find out he plays an extremely wealthy hardcore art enthusiast named Edward Philippe Mott. In 1792, he made the horrendous mistake of using the Roanoke cursed property to build a huge mansion as retreat for him, his art, and his lover Guinness*.  And yes, he was an ancestor of the narcissistic sociopath Dandy Mott from American Horror Story Freakshow. “Madness always ran in the family,” Doris Kearns Goodwin (as herself) tells us.

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On the night of the blood moon (we get a great shot of it hanging in the sky, crimson and sickly), his paintings get mauled and he freaks out (reacting as a parent would if they found their child’s head on a stick), screaming at his poor staff and then tossing them in the seriously deep root cellar (where they stayed until they had rotted into skeletal remains). Mott does not locate “the thief”. Instead, Tomasyn and her murderous supernatural gang drag him out of the house, impale him with a huge sharpened stake, and then push him into the fire while he is still screaming.

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So none of that worked out for anyone human.

2.  If Tomasyn is really, really pissed off at you during a blood moon, she can summon all her past victims. After the female Thai Ghost girl dropped into frame– about two seconds after Matt and Shelby told her to be brave because they were going to make it out of there– and made Flora scream, we knew they were going to wrap up the “My Roanoke Nightmare” true crime/reality show portion of the season (more on that later) and that we were in for one hell of a fun episode, so we turned of all the lights but our flatscreen, and sat back and let the roller coaster-haunted house thrill-ride begin.

Oh Shit! Run!

Oh Shit! Run!

Right off the bat, the Millers got the scary Thai ghost lady (if you are a Horror Boom regular, you already know we are huge, reverent fans of Thai ghost stories), who scuttles off speedily with poor Flora and eventually lets her go but leaves finger-shaped scars on her arms. The half-naked guy who has a pig’s head stuck over his own and makes horrible inhuman squeals, as well as the hunters who blew each other’s heads off proceed to corral the Millers for “an easy slaughter” while Tomasyn and her gang set the Miller’s cars on fire for good measure. Apparently,  what Elias told them was true: all her former victims were still so terrified of her that she could control them when she needs them.

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Can you find the Thai Ghost Girl in this photo?

Can you find the Thai Ghost Girl in this photo?

3. It turns out that Edward Philippe Mott’s severe social anxiety is what helps The Millers escape from the interior of the house and into the woods. In an extremely welcome return, he appears to them in the cellar (“Perhaps I may be of some assistance.”) and tells them he was the original owner. He leads him through the network of tunnels he included in the building (to smuggle out his beloved and expensive paintings if they were in danger) and tells them that though everything has been taken from him, he has been left with one sliver of grace: his solitude. “I can hardly suffer three more souls,” he explains. He gets them out of there and into the woods not so much out of kindness, but selfishness, but the Millers understandably don’t really give a shit because they just want to get as far away from the house as possible. To make the scene even more unnerving, his face flickers very briefly a few times in the light of his torch, revealing something far from human…

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4. Elias wasn’t killed by the arrows, but it really would have been better if he had just died in the first place. Things do not improve for the Millers after Edward Mott dematerializes in the woods, away from the house as promised. Shelby realizes that in the forest, they are nothing more than prey. But, wait! Flora sees a light! Before they can wonder where the hell they are, they get whacked on the heads by shovels and unseen figures shove burlap sacks over their heads.

Oh Shit! Run!

Oh Shit! Run!

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They end up in the same blood-curdling house where they’d seen the grotesque feral kids suckling the pig (who as I recall was dead or dying at the time–there were lots of flies around at the time, anyway).  It turns out they are all members of the same terrible Polk clan, who are not only probably inbred, vicious, hostile, and insane hillbillys, but are also predatory cannibals! They kept poor Elias (who is terrified of “Mama Polk” and begs Matt to just kill him) alive so they could take his leg and his arm and eat him.screen-shot-2016-10-14-at-8-16-08-pmscreen-shot-2016-10-14-at-8-16-22-pmscreen-shot-2016-10-14-at-8-16-32-pmAs a small mercy for Elias, Mama Polk (Frances Conroy, another welcome familiar face along with Evan Peters) tries to eat a piece of “jerky” from him but spits it out, declaring that it, and Elias, are rancid. She says there’s no more use for him and they promptly cave in his head with a shovel. It isn’t pretty.

Looks like Denis O'Hare needed a head cast made at some point in the production of this season.

Looks like Denis O’Hare needed a head cast made at some point in the production of this season.

Oh, but it gets worse. It turns out The Polk family have had a deal with Tomasyn going back 200 years; they help provide for the blood sacrifice, and she leaves them (and their cannabis crops) alone. Could we mention that Frances Conroy can be really, really fucking scary when she wants to be?  She delivers her most frightening performance–as Mama Polk– on the entire series to date.

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As such, the Polks are going to return them to the dreaded house and the even more dreaded Tomasyn and her large group of murderous pilgrims.

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Oh Shit! Run!

5. Did we mention that Matt means well, but isn’t a rocket scientist when it comes to escape? They ride back in the bed of the pick-up with two of the Polks; Ishmael drives and Lot, played by Chas Bono, holds a shotgun pointed at them (also in the back). Matt makes his move and forces the shotgun away from him and his family, and successfully  (though also possibly accidentally) blows Ishmael Polk’s head clean off (okay, maybe not so clean, but that head is mostly gone).  Then he shoves Lot Polk over the side of the truck, leaving him sort of disabled on the road! Why, this is great news! Matt can simply shove the headless body out of the driver’s seat, grab the shotgun for back-up, hop in with his family, put the pedal to the metal and drive to safety at top speed! The keys are in the ignition, and the motor is even still running! Wait, Matt? Matt? Where are you going, Matt? Don’t run off into the woods, dummy, Lot is clearly not dead and still has his shotgun! Sigh.

Jesus! We thought her foot was actually severed at first.

What is left of Ishmael’s head.

The only explanation we get for this stupidity (other than total panic) is his statement: “I figured I’d rather us take our chances in the woods than be slaughtered like pigs”. Nope, that still doesn’t make sense to us, there was very little chance of them being slaughtered if they had grabbed up all the shotguns and drove out of town as fast as they could, meanwhile NOTHING has ever worked out for them in the woods!** In fact, the woods are not even safe in broad daylight, especially during the blood moon! They run into the woods, huddle up together and hide (sort of) behind a log.  Within seconds, Lot is standing over them with his shotgun pointed in their direction and soon after that, Mama Polk is so infuriated with them killing her son that she brings her shovel down on poor Shelby’s ankle, hobbling her in a gruesome mess.

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Jesus! We actually thought her foot was severed at first.

Jesus! We actually thought her foot was severed at first.

7. Matt’s sister Lee, though, is thinking straight.  “Whatever was going on, it was bad. Matt wouldn’t just ignore my call, especially if he had Flora,” she recalls, and immediately asks the cop leaving the station with her for a ride. When they get near the Roanoke house, with all the murderous colonists plus Tomasyn carrying torches and standing around a blazing inferno of a bonfire in front, she calls out for the cop giving her a ride to stop and tells him to call for backup.  For some reason (possibly because he sees what is going on and says “fuck this, I’m outta here”) he pulls out and hastily drives off, but Lee hears Flora’s screams and heads towards them.

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8.  Apparently, Tomasyn’s son Ambrose (Wes Bentley) is still pissed at his mother for killing him. He has also had enough, because he snaps.  Right before it looks like poor Flora is going to die horribly, Ambrose puts Flora down instead of into the fire and yells, “Nooooo! I shall not stand by and watch thou shed another drop of innocent blood!” Ambrose conks her over the head with a huge piece of wood, then pulls her into the fire with him. When the Millers make their getaway (thanks again to Lee, pulling up in a car and yelling for them to get in) Shelby looks back and sees Tomasyn engulfed in flames, but still blundering towards them.

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Oh Shit! Drive!

Oh, and you know who else is not too fond of Tomasyn? Little Priscilla, who was Flora’s “invisible friend” and probably remembers Tomasyn bashing her head in with a giant rock. Seriously, watch the smile on her face as The Butcher burns.

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“How do *you* like getting hit over the head, bitch?”

9.  Shelby still has nightmares. We get a fake-out at the motel, when Shelby makes her way slowly on crutches towards the door and sees smoke leaking in from under it. She opens it just in time to see a burning Tomasyn before The Butcher buries a cleaver in her skull… then she jolts awake. “To this day, I still have that dream,” Shelby tells us. “I’ve tried yoga, meditation, hypnotherapy… We escaped with our lives, but I never completely got over it. I’m not sure I ever will.”

CHOP

CHOP

10. “My Roanoke Nightmare” as we know it has ended, but we still have five episodes left in the season. Ryan Murphy told us that in episode six, everything would get turned on its head. From the teaser for next episode of American Horror Story: Roanoke, it looks like we are entering (at least partially) “found footage” territory. Cheyanne Jackson, who played the interviewer in the reality-show segments, is seen in what looks like some kind of studio interior telling the camera, “Rolling?  The camera never stops. No matter what anyone says, even if I tell you to stop, keep rolling, got it?”  Cuba Gooding Jr. also made a comment about “breaking the fourth wall”, which leads us to think we might see some of the “re-enactors” such as Sarah Paulson and Kathy Bates playing themselves. Notice how we never got any closure on Lady Gaga’s primal witch character, Scathach? We think we might see her again. Hell, the Polks didn’t get killed off either (other than Ishmael), they just drove off.

Stray Thoughts:

  • Evan Peters seemed to be having a blast playing Edward Mott. Nice to see a little snippet in the final act of the episode where he returns and cuts Matt and Shelby’s ropes so they “can make a grand escape”.

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  • If we were in the middle of building a house and heard a loud, horrible sound (the Closed Captions described it as an “inhuman howl”) coming from the woods in broad daylight, we’d dismantle the house and build it the fuck somewhere else.

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  • Doris Kearns Goodwin (who was wonderful to see cast as herself) reports that the “last Mott” died in South Florida in 1952.  That story checks out. Good riddance, Dandy!
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  • So far, the AHS stars that we were told would appear as cast members this season but have yet to see are: Matt Bomer and Finn Whitrock. We wouldn’t be shocked to have a surprise appearance from, say, Gabourey Sidibe, Mare Winningham, Connie Britton, or NPH.

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Aaaand, here’s the rest of those photos! Horror Boom does not own the rights to any of the American Horror Story images in this piece, FX owns the copyright. The ones here are provided for entertainment purposes only.

*Was I the only one that loved it when Evan Peters (as Edward Mott, that is) grabbed Guiness by his collar and pulled him in for a big deep kiss? The icing on the cake is that since Edward was part of the Mott family and had so far seemed pretty arrogant and snotty, we thought when he snapped, “Wait! Come back,” to Guiness it was going to be because he was going to bark some racist order at him. Instead, he passionately kissed him in front of his workers and staff.

**Unless you want to count Matt getting to bang Scathach (Lady Gaga), though from the look on his face, he wasn’t getting any pleasure out of it at all.

SFF Review: The Invitation, a dinner party for the mad

“The Invitation”, Karyn Kusama’s intense thriller, will be available in select theaters and VOD this Friday. We have heard nothing but good things about this flick since it premiered at the Stanley Film Festival. Check out this spoiler-free review from Ryan at The Missing Reel right here!

The long wait to see Karyn Kusama back behind the camera of a feature film is finally over, following up Jennifer’s Body with her cutthroat, paranoid thriller The Invitation. Calculated, tense and unflinching in its brutality, it’s a terrific simmering style of storytelling that boils into one insanity-fueled finish. In it, while attending a dinner party at his former home, a man thinks his ex-wife and her new husband have sinister intentions for their guests.

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American Horror Story Hotel: Who Do You Think The 10 Commandments Killer Is?

UPDATE 12-7-15:

Well well, looks like most of us were right! Thanks for everyone who voted. Only two more new episodes before the Christmas break, so savor them! Oh, and Evan Peters is stealing every scene he’s in as Mr. March. Nice to see him playing a character who is having fun, for once!

 

So, this week’s episode of AHS Hotel, titled “The Ten Commandments Killer”, has promised to reveal the identity of said serial killer. It’s been a long two weeks, huh?

We’re 99% sure of the identity of the killer, but how about you? Take our poll below and tell us who you think the killer will turn out to be!

Feel free to write in your vote, not to mention tell us your theories!

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Variety Review: ‘The Invitation’ (2015) Will Freeze Your Blood

“Everything does go to hell in the end, of course, as it must in any genre movie worth its salt, and “The Invitation” delivers the necessary jolts in satisfyingly visceral fashion without descending into Grand Guignol excess. Still, it’s in the slow-and-steady buildup — as opposed to the attenuated action climax or the slightly eye-rolling denouement — where the film excels, as Kusama (working with editor Plummy Tucker) keeps the tension simmering away beneath the sounds of clinking silverware and polite, nervous laughter. D.p. Bobby Shore’s elegantly skulking camera familiarizes us with virtually every inch of the house to which the action is confined, bathing the interiors in a seductively moody, almost amber glow. Phillip Blackford’s sound design adds to the eerie vibe, ensuring that we register every slammed door, shattered glass and cut-off scream with perfect clarity.”

-From the Variety (at SXSW) review by Justin Chang for “The Invitation”

The Walking Dead Post Mortem: [Spoiler] Reveals the Real ‘Reason Why I’m Not Alive’

We’re STILL kind of sad about this one. (OK, me, of the two of us at Horror Boom, I’m the Walking Dead fan, the other one got his shoulder cried on by me). I’m not sure Chris Hardwick has ever been as close to starting to weep on any episode of The Talking Dead before (and he knew it was going to happen). We also read a news item that Andrew Lincoln said the first two episodes of the second half of the season would be “really brutal”, (oh goodie, next week should be cheerful too) but we thought he we talking about violence. Not …this.

(SKIP TO AFTER THE PHOTO IF YOU HAVE NOT GOTTEN TO THE PRISON ARC IN THE COMICS YET AND PLAN TO)

One good thing: the character got a more peaceful send-off than he did in the comics. In the comics, he got Herschel’s death, but it was even uglier and seemed to take more hacks. If my recollection was correct, he was still conscious until the last hack. He wasn’t sitting there smiling serenely like Herschel’s …who also was not exactly cut down in the prime of his life, and had recently given wise life advice to the people I loved the most (and who needed it). I would prefer being painfully bitten (horrible as a couple of the bleeding-out hallucinations were), even twice, if it was followed by my friends saving me, cutting off my arm (by which time I was pretty worn out and not in pain so much as really, really worn out, carrying me (albeit not altogether smoothly), holding on to me, and then seeing a group of people I cared deeply about who had died recently smiling, comforting me, singing to me, and telling me it was okay to let go, in fact things would be better) in the minutes before I let go. So hey, that last part was peaceful.

Anyway, this is well worth a read if you are a fan of (SPOILER ALERT!)

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Chad Coleman (already one of our favorite actors from The Wire), because it reminds you yes, it’s just a TV series, and also, no matter how big-hearted and cool of a guy you thought he was before, he’s even cooler (and very zen about the whole end of the character).
Click “View original” in the lower left to see the whole exclusive interview on TVline.com!

Good News: IFC Midnight Acquires Gritty Revenge-Horror Movie ‘Reversal’

Good news! IFC Midnight has picked up the brutal revenge thriller from director José Manuel Cravioto‘s “Reversal” after it screened at Sundance. We’ve read reviews that really hated it (Variety did not have even the hint of one positive thing to say about it) and others that enjoyed the ride (such as Big Shiny Robot, who said while the movie did have its flaws but called it “a hell of a ride) and many others recommended it to horror fans (well, those who can handle some pretty intense horror). Here’s a link to Film Threat’s positive review, for instance.

The movies starts out where plenty of similar movies often end: a woman in chains in the basement of a man who has kidnapped, tortured, and done God knows what else to her suddenly surprising her captor by vigorously beating the living shit out of him with a brick and coming out on top. However, she’s not going to kill him off completely, and she’s not calling 911. Instead of hastily taking off and getting as far away from him as she can, she is enraged enough to turn the tables on him and force him (using violence when she needs to) to give up the location of the other victims he has locked up. So yeah, we’re in.

Good to know the wait won’t be too long to see it. If only IFC Midnight had picked up the rights to Green Inferno…

‘Suburban Gothic’, From The Director of ‘Excision’, Is A Likeably Wiseass Horror-Comedy

“Meanwhile, landscaper Hector (Mel Rodriguez) and his crew accidentally dig up a child’s skeleton in the family’s backyard, unleashing a vengeful spirit that first makes its presence known via visions and nightmares suffered by Raymond, who as a child used to experience “paranormal stuff.” He enlists a similarly caustic local misfit, goth-styled bartender Becca (Kat Dennings, of “2 Broke Girls” and “Nick and Norah’s Infinite Playlist”), to help him guide the ghost toward eternal peace before it wreaks total havoc.”

 

-From the Variety.com review by Dennis Harvey

Wow, this doesn’t sound at all like 2012’s Excision (the début feature from Richard Bates Jr.), but it sounds like fun. Big selling points for us: he got John Waters back in the cast AND Jeffrey Combs (who per IMDB, plays a doctor; Combs always shines playing doctors*, as Re-Animator and its two sequels, not to mention House on Haunted Hill, proved) in supporting roles. The Soska Sisters have cameos! Ray Wise (Twin Peaks, Robocop, and the deeply disturbing Dead End) has a lead role. Matthew Gray Gubler (Life After Beth and Criminal Minds) won the Festival Trophy for Best Actor at Screamfest 2014, for this movie, too.

We’re all in on January 30th, when this horror-comedy hits VOD!

To read Variety.com’s entire review, click the “View original” link in the lower left.

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The photo is not in the actual movie, it’s just a really cool-ass gothic house/home.

 

*He REALLY shines when he’s playing Edgar Allan Poe, too.

Variety Says ‘Preservation’ Best Appreciated As a Member of a Cheering Theater Audience-Read Their Review & See Trailer Here!

Denham shrewdly tightens the screws with some cheeky but dead-serious visual allusions to other thrillers — a bit of “Blair Witch Project” here, a smidgen of “Friday the 13th” there — before upending expectations with a startling reveal at the two-thirds mark. And that leads a few scenes later to a turnabout that likely would be best appreciated as a member of a cheering theater audience.

-from the Variety.com review by Joe Leydon

Aaaaand we are sold! You’ll probably recognize ole “Pornstash” from Orange is the New Black and Ken Cosgrove from Mad Men in the trailer if you’re a fan of either of these shows. Cosgrove hasn’t done too well on hunting trips, but it’s gonna get even uglier this time around…
Click “View original” in the lower left of this post to read the rest of this enthusiastic review, and watch the trailer below!

The release date given is January 9th (2015), but we can’t find Preservation on any of the regular VOD outlets. Sadly, that means we can’t watch it with a cheering theater audience (unless you hold a party revolving around watching it with some festive horror fans at your home) Hopefully it’ll show up soon!

 

American Horror Story: We’ve Got Titles and Episode Summaries for The Final Two Episodes (SPOILERS!)

Man, this season went too fast. The pacing has been a little, what’s a nice way to put this …uneven; some episodes nothing really happened except maybe Elsa being bitchier than usual and others went zipping around all over the place. We’ve still enjoying it much more than Coven, and the recent episode “Orphans” did more for us than the entire third season. Freak Show hasn’t actively pissed us off yet with plot holes and lazy writing, it’s just made us realize chances are that anything coming up in the last two episodes of this season and future seasons will never be as scary as Asylum and even Murder House (hey, one episode–“Smouldering Children”– gave me nightmares, and the “Infantata” scenes actively frightened me). I still hold out a tiny bit of hope, though. What with the new character being introduced, we wish they’d caught up sooner, or had a few more episodes to wrap up, because we love spending time with these characters, in this beautiful setting, with these amazing actors.

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Here are the titles, if you want to read something that is spoiler-free and then stop…

Episode 12, airing next Wednesday January 14th, is titled “Show Stoppers”. Uh-oh.

Episode 13, the finale, is Titled “Curtain Call,” and airs on January 21st.

Ok, here comes the spoiler section. It won’t ruin everything, but it’s also not too hard to fill in some blanks that are probably supposed to be surprises.

SPOILERS FOLLOW!

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Show Stoppers:
Dandy gives the Twins troubling information about Chester. Maggie vows to prove her loyalty to Jimmy. The Freaks enforce their harsh code of justice. (yeah!)

Curtain Call:

The Freaks rebel against new management. Dandy prepares for his début performance. Elsa arrives in Tinseltown.
Our speculations are as follows…

The “troubling information” Dandy gives the Twins about Chester will be that he is completely batshit, and probably that he murdered his wife and her lover, but is convinced the doll /dummy did it. There is a theory being tossed around online that Chester is actually the dummy (“Nutcracker!”) and she is real, which is interesting but would seem impossibly given the other character’s interactions with him. Maggie will probably prove her love to Jimmy by telling him everything that Stanley has done, and her role in it. The freaks enforcing their harsh code of justice? Stanley’s freakishly large penis will end up in a jar in the Morbidity Museum, and not attached to him. We still have hope that he will get the Todd Browning Chicken Lady treatment, or at least die very slowly, painfully, and gruesomely. Though we would really love it if Stanley got his dick chopped off, sold, then was mutilated to the point where he is turned into some kind of horrible monstrosity (with his tongue cut out, too) that ends up being a new “act” that patrons of the Freak Show will pay to see.
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Freak Justice, Todd Browning-style.

We also think Danny Huston will be back as the doctor who carefully crafted and made Elsa her gorgeous wooden legs, and that he’ll make new hands for Jimmy. Not sure how well they’ll function, but at least they’ll appear to be hands. Maybe he’ll be the one to take care of Stanley.
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As far as the finale? It looks like what Pepper (as above) saw on the cover of LIFE magazine in 1960 (I think that was the year) was not some kind of dream, and Elsa actually gets the career she has lusted after most of her life. It’ll be a lonely life for her, though. Chester won’t be the new management, since he’s not in the finale. That leaves Dandy.  No-one likes him. Hopefully Maggie will remember his voice, or someone will put something together in time for him to get his before the show ends. His big début? Now that’s going to be something pretty grisly… and we hope, unexpected. Also, Dandy needs to die horribly. Oh yeah, Ryan Murphy also promised us we’d see Twisty again, though we have no idea how he’d fit in.

Let’s also keep our fingers crossed for a 90-minute finale!
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