Rob Zombie’s 31 is his most Rob Zombie movie yet, this time injecting his signature style of trashy characters, vile dialog, and brutal violence into a compact version of The Running Man. But despite it featuring all the typical tropes that make his films stand out, 31 has to be Zombie’s most disjointed of them all. It’s a top-to-bottom mess that never finds cohesion between its characters and the violent world in which they exist, ultimately meandering through an incoherent plot. In it, five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game of survival.