Well, after we just spent over an hour combing the net, trying to find out if Javier Botet is back to appear as The Medieros Girl (AKA the ‘attic monster’) in this “final” installment, we only succeeded in scaring the shit out of ourselves, especially with some of the horrifying galleries that Tumbler has put together. So we’ll let you know when we know. By the way, if you’re wondering why the word ‘final’ is in quotes when we use it referring to [REC] 4: Apocalypse, that’s because this review from Variety.com states that the door is more or less left wide open for a sequel. That’s just fine with us!
Click “View Original” is the lower left to read the entire review.
We may say this quite a bit lately, but here’s another creepy-ass horror short that we found both scary and impressive enough to be a pick of the week in which the less you know going in, the better. This one, written and directed by Jay Dahl, will raise the hairs on the back of your neck even in daylight… in fact, some disturbing shit that goes down in the movie itself happens during daylight. Take a look and find out for yourself…
So, as to the question we posed in the subject line? Yeah, we’re pretty sure that…
So, we STILL cannot find one with English subtitles for the dialogue. If you’re a Ju-on/Grudge fan, though, you don’t really need to know the translation; it’s still scary as hell:
Sadly, we can also find no evidence that Takako Fuji is in the movie (as Kayako). We’re keeping our fingers crossed that she at least shows up in a flashback. She pops up in this quick teaser, though, which also sends chills down our spines…
What is this Ju-On “reboot”, you ask? Well, it has to be better than the Grudge 3. Anyway…. take it away, general press release:
The film was first announced at a press conference held at Akagi Shrine in Tokyo on February 26, 2014, following a spirit cleansing ceremony at the shrine. Filming began soon thereafter on March 4, 2014. Beginning of the End is set to premiere on June 28, 2014 in Japan.
Unlike the previous two installments, White Ghost and Black Ghost, this film focuses on the deceased Saeki family and its curse. An elementary school teacher named Yui (Nozomi Sasaki) visits the home of a boy named Toshio Saeki (Kai Kobayashi) who’s been absent from school for a long period of time. When she arrives, she re-lives the horrifying events that occurred in the Saeki household 10 years earlier.
Again, no evidence of Fuji-san, and they even replaced the long-time veteran actor Takashi Matsuyama, who played shitty, homicidal jealous husband, Takeo. They even used him in Grudge 3 (insert my own croaking noise here), while they re-cast Kayako for that one. OK, I can see not using the same Toshio, for the obvious reasons that the actor is human and therefore doesn’t look like a little boy anymore. But Kayako and Takeo?
The One and Only Takako Fuji as Kayako Saeki
OK, don’t get me started. We’re still going to see it… but if they do a stair-crawl, they better use footage of Takako Fuji from… well, there’s at least 3 to choose from.
Apart from a few exceptions (which are vivid enough memories and such unique experiences they deserve their own post) the last I remember of going to local haunted houses, usually sponsored by a local rock radio station, you would get shuffled through a maze and some people with creepy make-up/costumes would come springing around a corner, go RAAAAWWR! or scream at you and sometimes grab you. This is actually scary if they put some care and showmanship into it, which they did much of the time.
But this, this horrifying shit, takes it to a whole new level. I realize that this is Universal Studios Hollywood Halloween Horror Nights (this was taped in 2012, if they still have the attraction when we can afford an actual vacation in a couple of years, we are going, paying extra for some VIP pass if we can) and they have unlimited money and talent. Well okay, not unlimited, but the budget allows for a lot more. Not just actors, but animatronics. BIG ones.
But let’s get to the back-story of La Llorona (which translates as ‘The Weeping Woman’). I love that they based it on not just a folktale/legend, but a Latino one, and a simple one at that. No elaborate, intricate back-story, just the right amount of the basics to let your imaginations fill in the blanks. This attraction would be scary as hell without the legend, now that I think of it, but they fill you in on the basic version while you’re waiting in line or entering the maze.
Oh yeah, THAT should be a safe area of the attraction to mosey on through.
Here’s their version, and here’s a link to the Wikipedia page to read more. I am sincerely glad I did not hear the legend of La Llarona when I was a little girl, and already had my nightmares full of stories about licked hands, dead boyfriends with signs around their necks saying YOU SHOULD HAVE OPENED THE DOOR, and hooks dangling from car doors, among many others. I didn’t need this on top of the huge terrifying library of urban legends (mostly told to me by friends at slumber parties) that were stored neatly away in my head, where they stay to this day
“Immerse yourself in the horrific tale that has tainted the dreams of children for centuries, with new twists and turns, spawning countless excruciating nightmares.
Succumb to the bloodcurdling screams of Maria, a mother tortured by the guilt of drowning her children, forced to suffer for an eternity as she wanders the Earth hunting for the souls of her children. Beware, for those who hear her weeping are marked for death!
If you think you know how it ends, you’re dead wrong!”
Well, they got THAT shit right.
I watched several taped versions and this one was the best quality (for night vision). I hope to GOD there’s an age restriction on this. Fortunately I didn’t see anyone that looked under 18 going through the ‘maze’. Universal Studios calls it a maze –I know they have to classify all the attractions– but it looks more like a very frightening walk-through of a series of increasingly disturbing locations, including a fly blown butcher’s shop and a bridge over a body of water with the drowned corpses of children floating in it face down, and that blood-curdling bedroom with the first giant La Llorona creature – look at how long those horrible spindly arms and fingers/claws are, almost big enough to pick up the bed.
Check out the detail in the set dressing, like the very small children’s dresses hung on the wall.
If you’re curious, there’s a version in Universal Studios Florida where they took a different approach and used only (I think) live talent. You can see it below (it’s also terrifying), and there are some pretty frightening images, especially when they use the strobe light effect. The sound effects are especially haunting.
However, sorry, those giant animatronic creatures (bigger than you are, in some cases), are just complete show-stoppers for me… not that it’s a contest, they’re both effective.
There’s also behind the scenes daylight walk-throughs with the head of the production team for this attraction on You tube (Sharp Productions has a really great YT channel), and those things STILL look scary as hell. I didn’t watch more than a couple of minutes because I didn’t want to spoil the illusion. The sun is currently up, though; after it gets dark tonight, I may change my mind.
Here’s the short version of the Wikipedia entry of the legend. The page linked to also mentions that “Parents often use this story to prevent their children from wandering out at night.” Hell, they probably don’t want to wander out from under the bedcovers after their parents tell them this is a true story:
Although several variations exist, the basic story tells of a beautiful woman by the name of Maria who drowns her children in order to be with the man that she loved. The man would not have her, which devastated her. She would not take no for an answer, so she drowned herself in a river in Mexico City. Challenged at the gates of Heaven as to the whereabouts of her children, she is not permitted to enter the afterlife until she has found them. Maria is forced to wander the Earth for all eternity, searching in vain for her drowned offspring, with her constant weeping giving her the name “La Llorona.” She is trapped in between the living world and the spirit world. Often it is said that if you lock the doors to a room with a mirror, light red candles and say her name a couple of times in front of the mirror, you may see her. [Ed: that’s okay, we’ll take your word for it]
In some versions of this tale and legend, La Llorona will kidnap wandering children who resemble her missing children, or children who disobey their parents. People who claim to have seen her say she appears at night or in the late evenings from rivers or lakes in Mexico. Some believe that those who hear the wails of La Llorona are marked for death… She is said to cry, “ay mis hijos!” “oh my children!”
So, a couple of years ago I made a list for the IMDB of what I consider the ten scariest Asian horror films ever made. By the way, do you know how hard that was at the time, to only pick ten? If you think it would be easy, you either 1. have not watched as many Asian horror films as the average horror fan, or 2. you are made out of steel with ice-water instead of blood running through your veins, and no movie you have ever seen in your life has ever scared you, even as a kid.
Since I posted this list, I’ve seen more Asian horror movies than I have leading up to the years posting the list. So, there’ll probably be an addendum of an extra five (or ten) posted after this series of ten separate posts is complete. I’m going to have to just cut and paste the goddamned list because the only way to save it that the IMDB has is as a MS table-spreadsheet, which doesn’t translate well (even if it didn’t delete all my copious notes on the movies. You may want to check back, because sometimes I can only post when it’s 3AM, all the lights are off except my laptop, and I’m the only one awake in the house (even the cats are asleep), and when I was scanning the entire list tonight, I felt my heartbeat speed up just reading my descriptions and flashing back to the most nightmarish, blood-curdling scenes and moments. If you’re a restless sleeper that needs to sloooowly power down in order to relax enough to fall asleep, do you REALLY want to recall the big reveal in the last five minutes of Parkpoom Wongpoom‘s Shutter (2004) vividly when you’re trying to mellow out? My point is, I don’t want to do an image search for, say, Spiral unless it’s light out, so there’ll be more added to these posts later (plus trailers).
#10 – Coming Soon (2008, Thailand)
Fuck everything and run!
I replaced Cinderella with this title–unfortunately, I hadn’t stumbled across it yet at the time. I saw the trailer for Coming Soon (the English title of this little gem) and I ended up watching it online, at night, on my laptop. Funny coincidence, I didn’t sleep too well that night! I almost did something I’ve only done with two other titles on this list, which was to reflect that perhaps I should quit while I still have a chance of calming down and watch the rest of the movie in daylight. This plot was so tight, though, and filled with surprises (not just giant jumps–it was excellent storytelling and a script with a simple, yet brilliant, idea) that I was glued to it. Thai horror movies do NOT fuck around, and this is a perfect example. From the second the action starts (in this case, a movie-within-a-movie) to the last sudden GOTCHA! right when you thought the movie was about to fade to credits, the makers succeed in their goal–scaring the living shit out of you. Those lucky enough to see it on the big screen in Thailand must have had a very memorable movie-going experience –most of the movie is set in a multiplex movie theater.
Ryan Murphy has stated that we won’t find out who the new Supreme is until January, when the last couple of episodes–or maybe even the Coven finale–air. Lots of guesses are floating around. Strangely, I see a few up-to-date polls that list Madsion (just a couple percentages away) equal to Zoe, and much over Misty Day. Let’s find out what you fellow fans of American Horror Story Coven have to say. Oh, and you can vote twice. I’ll be keeping this poll open for several weeks, or until we officially find out. You can vote more than once, because with every episode, we get more clues, reveals, and misdirections that might make you change your vote. Dig in-and don’t be shy with your write-in votes, either!
HOAH! Don’t miss thispost-mortem*! Note that this is EW.com‘s “Exclusive”, not Horror Boom’s – when we re-blog a piece from them (hey, would YOU want to miss their awesome news/interview pieces that are clearly written by a fellow horror –and American Horror Story–fan?), we can’t edit the subject line, or we absolutely would; we want everyone in the writing and horror community to know that we have a zero-tolerance policy on anything approaching plagiarism**. Now to do more research on ‘The Axe Man’ (hint: check the ‘Related Articles’ below for the casting scoop)–look for our piece on this week’s episode, “Boy Parts” soon. Plus, we’re pretty sure who the threesome Murphy promised us teased is going to consist of. If you missed the (late) edition we wrote on “Bitchcraft,” check it out here.
*So to speak…
**But apparently at least this week, an open-door policy on run-on sentences–and this writer (me) has a BA in Creative Writing, plus earns money copy editing and writing. So, decades of experience go out the window sometimes when I get really, really excited about my favorite show currently on TV, which happens to be horror-related. Whattaya gonna do?
We were wondering (and dreading) when the American Horror Story Coven teasers (besides ‘Pins and Needles’, one of the earliest) would show or even hint at the horrors Delphine La Laurie (Kathy Bates) was capable of. We also wanted to see more of Angela Basset as Marie Leveau. Here in this “Mythology” trailer, we get both…
It also looks like Lily Rabe‘s character might not make it past the pilot, witch which would explain why her name is not on any of the posters (color us seriously bummed).
The spot starts off with these shots of Fiona Goode (Jessica Lange), in an especially beautiful and striking shot:
“There’s a storm coming…”
Then LaLaurie entering her personally-created chamber of horrors (and yes, that’s blood smeared on her face in the promo; slave’s blood as a beauty cream), holding a candle and looking full of rapture…
Which is much more disturbing that an evil look, when you get glimpses of what sights have her so joyous…
Pretty sure which LaLaurie victim this is by looking at the claw-like hand, but we’re not comfortable describing that particular event/torture
Pretty sure that’s her doctor husband beside her, who helped out when it came to more technical things like breaking and re-forming the limbs of her victims into grotesque shapes, and you know what, that’s enough speculation on that subject for now
There’s some shots of ugly fundamentalist, hateful religious nuts that wouldn’t be out-of-place in the True Blood opening credit sequence. We also see Leveau looking ready to unleash her wrath, with Angela Basset looking beautiful and seething:
Followed by an awesome closing shot (that just puts the icing on the fucking bad-ass cake*) of a swamp alligator snapping its jaws around what looks like the entire upper half of a man and dragging him speedily into the water.
He probably deserved it.
BAM! TITLE CARDS! Hot Damn! Less than a week till the premiere, “Bitchcraft”, On October 9th! Who else gets a big adrenaline surge just thinking about that? Oh YES!
KICK SOME ASS, MARIE!
Here’s the PR synopsis/pitch again for American Horror Story Coven from FX:
Coven tells the secret history of witches and witchcraft in America. Over 300 years have passed since the turbulent days of the Salem witch trials and those who managed to escape are now facing extinction. Mysterious attacks have been escalating against their kind and young girls are being sent away to a special school in New Orleans to learn how to protect themselves. Wrapped up in the turmoil is new arrival, Zoe (Farmiga), who is harboring a terrifying secret of her own. Alarmed by the recent aggression, Fiona (Lange), the long-absent Supreme, sweeps back into town, determined to protect the Coven and hell-bent on decimating anyone who gets in her way.
So, looks like it must be The Season of the Witch for American Horror Story this year, huh? (See what we did ther–Ow!Hey, who threw that?)
*It took SERIOUS self-restraint to only use the word ‘fuck’ once in this piece. Oops, that’s twice, guess we bumped this to an R-rating now. Hell!
YIKES. This one is titled “Pins and Needles”. We’re guessing it’s hinting at the very hideous real-life Delphine LaLaurie storyline and what’s in her attic (although many areas of the LaLaurie mansion were very dangerous, scary places to be, especially if you were a slave – she kept her kitchen slaves chained to the stove). Watch below… be warned, this one’s unnerving.
The third season, (or Volume Three, as Ryan Murphy refers to the seasons) premieres on October 9th, 2013. The season premiere is titled “Bitchcraft”. Jessica Lange plays a witch named Fiona, Sarah Paulson plays her daughter Cordelia*, Angela Bassett plays Marie Laveau, and Kathy Bates plays Delphine LaLaurie. Oh, and Alexandra Breckenridge (Young Moira from Season One) will also be making a return appearance–as a new character, of course. Damn! This just keeps getting better and better… more teasers are sure to follow soon!
Damn RIGHT, viewer discretion advised!
*a reference to King Lear, rather than Buffy/Angel’s Cordelia Chase. I miss that Cordelia.
The LaLaurie residence in 1140 Royal Street, New Orleans, photographed in September 2009. (Photo credit: Wikipedia)