‘American Horror Story’: Ryan Murphy on the latest ‘Coven’ and teases for season 4 — EXCLUSIVE

Let’s hope they bring Tim Minear back for Season 4–we miss him steering things this season.

UPDATED American Horror Story Coven News! Includes Final Titles and Airdates, Links To Major Episode 11 Spoilers (‘Protect The Coven’), More!

OK! Here’s the non-spoiler, just teaser-type stuff news first… the major leaks (including photos at a funeral in which you can see who if NOT in the coffin) have a special link to them,  so you won’t get surprises ruined if you don’t click on it.

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We have the titles and air dates for the final three episodes, plus a little more.
Airing January 15, 2013: “Protect the Coven” (S3/Ep11) This one is directed by Bradley Buecker and written by Jennifer Salt. Evan Peters and Kathy Bates are both listed in the cast, so I guess we’ll get to catch up to their characters! Buecker was also responsible for directing “The Dead,” Asylum’s “Tricks and Treats” and “Welcome to Briarcliff” …and the AHS Season one finale, “Afterbirth”.  Jennifer Salt’s AHS writing credits include this season’s jaw-dropping “Fearful Pranks Ensue” and Asylum’s nasty yet satisfying, “The Coat-Hanger”.

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Airing January 22, 2013:  This is one of my three favorite titles for the season, alongside “Bitchcraft” and “Burn, Witch, Burn!”:  the penultimate episode of Coven is called “Go To Hell” (S3/Ep12). The episode is directed by the amazing Alfonso Gomez-Rejon and written by Jessica Sharzer (Murphy and Falchuck also have writing credits, but then again, the IMDB lists them as “Creator” on the writing credit for every episode). They also list an acting credit (actor: Danny Cosmo) to a character named simply  “Stinky Man”. Jessica Sharzer has written or shared writing credit on several all-time fan favorite American Horror Story episodes, including this season’s “Burn, Witch, Burn!” and Asylum’s “The Name Game” and “I am Ann Frank, Part 1.”  Gomez-Rejon has directed two of my personal favorite Coven episodes so far, “Boy Parts” and “The Replacements” (This coven doesn’t need a new Supreme, it needs a new rug.”); we already trusted him completely after discovering a year or so ago that he directed Asylum’s “I Am Ann Frank, Part 2”, “Spilt Milk,” and “Madness Ends”. Oh, and he also directed the stunning “Birth”, the penultimate, mind-blowing (and heart-breaking) episode of American Horror Season One.

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Airing January 29th, 2013: Season Finale apparently including “The Seven Wonders” (S3/Ep13)  is also directed by Alfonso Gomez-Rejon. The writing credit? Doug Petrie, one of our favorite TV writers of all time. Every episode he wrote for Buffy The Vampire Slayer (Season Five’s epic, Spike-centric “Fool For Love” with the Boxer Rebellion and The Subway Slayer flashback, to name one) and Angel were GOLD– not a strikeout among them. This is his first writing credit for American Horror Story other than “The Axman Cometh,” but with his pedigree, we’re not worried.

"Amen!"

“Amen!”

The cast for the finale includes a surprise appearance by yet another award-winning female A-List star …we’re not going to spoil it for you, because it’s that great (though maybe Ryan Murphy will blab about it in an upcoming post-mortem for EW.com; I’d rather have him keep it secret). If you really, really can’t wait and want to know the name of the star now, go to the S3 episode guide/list on IMDB for American Horror Story Coven; she’s credited and you’ll sure as hell know her when you see her. Great casting! Oh, and the entire cold open of the finale will feature yet another appearance/performance by the magical Ms. Stevie Nicks.

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(Begin spoiler-ish section with inks to the really big ones; safe to read if you don’t click any links)
Now! Here are some MAJOR spoilers for Episode 11 of American Horror Story Coven. Keep in mind this is the episode airing AFTER the January 8th (first after the return from hiatus) installment, Episode Ten, entitled, “The Magical Delights of Stevie Nicks.”

DO NOT CLICK THE LINK BELOW UNLESS YOU WANT TO KNOW! HEY! I SAID–

‘American Horror Story’ Season 3 Spoilers: ‘Coven’ Episode 11 Synopsis Leaks Online!  What Will Happen In ‘Protect The Coven’?

and…

Direct Link to Leaked Photos from Episode 11 Funeral scene (Justjared.com)
 
"Have you MET me?"

“Have you MET me?”

Deaths WILL be happening–and revealed– on this episode, and Delphine LaLaurie? Well, she has one nasty storyline.

Photo released from Ep11, "Protect The Coven" (Courtesy of FX)

Photo released from Ep11, “Protect The Coven” (Courtesy of FX)

Hannibal Back For Seconds in February

It’s about time Hannibal ‘s back! We’ll need something to fill the void after the American Horror Story Coven finale at the end of January, too (unfortunately, we’ll have to wait for Friday, February 28th for the Hannibal season 2 premiere). The tagline for Hannibal Season Two premiere teasers? “Embrace the Madness.

As soon as they start running raw new footage in the promos, we’ll let you know! Bring it on.

 

Remember Joan Fontaine With This Haunting Clip From Hitchcock’s “Rebecca” (1940)

As you’ve probably read by now, Academy Award-winning actress Joan Fontaine, the leading lady known for her string of roles as demure, well-mannered and often well-bred heroines in the 1940s, and the younger sister of actress Olivia de Havilland, died today at her home in Carmel, California; she was 96.

She was known best for her back-to-back roles in two Alfred Hitchcock thrillers — the 1940 Best Picture winner Rebecca and the 1941 film Suspicion, for which she won a Best Actress Oscar, making her the only actor in a Hitchcock film to receive an Academy Award.

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Her obituary on the IMDB (click her for the entire piece) stated that producer David O. Selznick snapped up the rights to the Daphne du Maurier bestseller Rebecca, in which an unnamed, demure heroine — known only as “the second Mrs. de Winter” — is taunted by the memory of her husband’s first wife, the beautiful and seductive title character. Selznick brought director Alfred Hitchcock over for his first American production, cast matinée idol and rising star Laurence Olivier as moody, mysterious husband Maxim de Winter, and embarked on a Scarlett O’Hara-style talent search for his leading lady. Rejecting Loretta Young, Margaret Sullivan, Vivian Leigh (then Olivier’s wife), and a then-unknown Anne Baxter along with hundreds of other actresses, Selznick decided on Fontaine, who though not an established star projected the right mix of beauty, insecurity, and tenacity needed for the part. Fontaine’s insecurity, however, was heightened by Olivier’s sometimes cruel treatment of her on set, as he had lobbied aggressively for Leigh to get the role, and Hitchcock capitalized on her inferiority complex to shape her performance. The resulting film, released in 1940, was an unqualified critical and financial success, catapulting Fontaine into the tier of top Hollywood leading ladies, establishing Hitchcock firmly in the United States, and nabbing the film 11 Academy Award nominations, including ones for both Fontaine and Olivier; it would go on to win Best Picture.

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Below is a classic nine-minute clip from Hitchcock’s Rebecca – the one that first jumped to our minds whenever we thought of her acting in the film.

And here’s a fan-made trailer for the film:

RIP, Ms. Fontaine. Your fans will miss you dearly.

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Ten–No, Fifteen Spooky Things We Learned From American Horror Story Coven Episode Four, “Fearful Pranks Ensue”

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Better late than never. The reveals and new characters have been coming so quickly, we picked a really bad season of American Horror Story to slip behind in our episode coverage! So, without further ado, let’s dive into the list, which we tried to pare down to ten but would have left out too much information, so the hell with it… fifteen it is.

Who doesn’t love a surprise?

 

1.  Well, so much for The Minotaur being “this season’s Bloody Face”* At the very least, the Minotaur–or Bastien, as Marie Laveau called him–is out of commission for a while. Fiona dispatched him in the greenhouse …off camera. Took care of him pretty goddamned fast, too; in the scene where she’s asking for Cordelia’s help with the badly injured Queenie, Fiona wasn’t any more rumpled than she’d been when she discovered Queenie. His head –still living– got delivered to Cornrow City in a cardboard box by Spalding (“Some freak dropped it off and didn’t say a word”). This did not have a beneficial effect on Marie Laveau‘s already-serious resentment towards Fiona.

2. Kyle’s not home. No Kyle. Zoe realized, sadly, that he’s just a collection of sewed-together frat guy parts, with Kyle’s head on top. With a heavy heart, Violet Zoe makes him a snack with rat poison in it… but in the time she took to put his last meal together, he vanished. On Halloween night, where he’s going to blend in.

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3. Fiona was able to somehow breathe life into Queenie when Cordelia told her that Queenie’s heart had stopped. If this is one of “The Seven Wonders” that a Supreme must demonstrate before it becomes official, Zoe and Misty are definitely in contention.

Me? I was a monster.

 

4. We saw in the heartbreaking cold open that Marie Laveau can summon and command the dead, if some serious revenge is called for. These aren’t your mainstream zombies that want to eat you and then you wake up wanted to eat people. They want to rip their master’s enemies apart limb from limb when summoned. They can also use tools, unlike mainstream standard zombies. This season, the cold opens just keep topping each other; the scene where Laveau gave those evil, racist assholes the fate they deserved was not only satisfying, but perfectly executed. I especially like the confederate soldier voodoo zombie with the bayonet – and the shot of Laveau in the featured image for this piece.

I must confess, I’ve always enjoyed our little talks together… particularly since you lost your tongue.

 

5. According to Cordelia, Madison couldn’t have been the next Supreme; one of the hallmarks of a rising Supreme is excellent health, and Madison had a heart murmur. If you didn’t catch Jessica Lange’s oh shit! facial expression the first time you watched, it’s priceless enough to re-watch for that alone.

6. Hank is not only a cheater, he’s a cold-blooded killer. In an extremely upfront way.

Yeah, their blood. I used it to paint my day room brick-red.

 

7. The Council is in town! The council is composed of Myrtle Snow (you remember her- she didn’t have much screen time, but definitely made an impression in the season premiere), Quentin (who Fiona greets, not unkindly, as a “vicious old queen”), and the plain, monotone Pembroke. Nan summoned them because she couldn’t hear Madison anymore and was afraid she was dead.

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8. The first rule of Witches Council is never talk about the Wi– whoop, sorry, wrong secretive group!  We find out that the Council on Witchcraft assembles “only under the gravest of circumstances”.

9. We learned another very important law of The Counsel: the penalty for inflicting grievous bodily harm on a fellow descendant of Salem is …death. By fire!

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10. Spalding’s batshit rituals (ar the start of act one. he was hosting an elaborate tea party in the attic, with just him and what looked like 100  at last china dolls dressed to the nines).** just seemed eccentric (and hilarious) at the start of the episode. It started being not even mildly amusing when they gave us the reveal that Spalding had NOT in fact buried Madison as Fiona instructed him to, but had added her body to his doll collection. Forget the fact that he’s wearing a baby bonnet; creepier yet was the fact that though he’d obviously dressed her up (with a strategically-placed, pretty scarf to hide her slashed throat), she was just wearing her bra and panties.

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11. Myrtle really, REALLY hates Fiona. Fiona’s not too fond of her either, but Myrtle has hated her for roughly 40 years – mainly because she figured out Fiona did something terrible to Anna Leigh (murder, specifically), back in 1971, followed shortly by Spalding being discovered with his tongue laying on the bathroom floor a couple of feet away from him as he lay yelling in horrible pain (and a spray of blood on the mirror …after Myrtle enchanted it to speak only the truth. Also, Fiona was a mean-spirited little bitch to Myrtle. Fiona also sort of took off (all over the world; I think the word Myrtle used was “jet-setting”) after being officially named the Supreme, and didn’t do any of the paperwork (three unsigned ‘Winter Petitions’) or participation in official witch duties and meetings that a Supreme is supposed to.  The last forty years she’s thought that Fiona didn’t deserve to be the Supreme, and now she want to get her convicted by the council and burned at the stake ASAP.

Tonight I’m gonna let the whole world in, get a good look at me.

 

12. We also learned via flashback (1971) that  Spalding voluntarily cut out his own tongue to protect Fiona. The night before he was to testify officially, he sent young Fiona note to meet him in some upstairs bathroom. He thanks he politely for coming, then told her, “These are my last words, Miss Fiona. I have always loved you.” Then he used a straight razor to slice his tongue out. Maybe Myrtle should have looked around at dinner earlier that night to make sure that Spalding wasn’t, oh, standing directly the fuck behind her before confiding to a friend that she put a spell on his tongue so he could speaking nothing but the truth.

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13. Unfortunately for Cordelia, she has a low alcohol tolerance (though more than three shots of Maker’s Mark and I’d start feeling like I might need to run to the nearest ladies room to puke, too).  She was enjoyed a nice Halloween night out for cocktails with Fiona, and they were even getting along fine. After she was done being violently sick she went to splash some water on her face, and got taken off guard by a hooded, robed figure in black who tossed sulphuric acid at her face… right in her eyes. She shrieks in horror and pain at the top of her lungs, as loud as… well, probably as loudly as any of us would if we were minding our own business in what we thought was a safe restroom and had blinding acid tossed directly in our eyes. Eeeeek.

14. In yet another stunningly-lensed flashback, we learn that after over a decade of bloodshed and heartbreak, Marie Laveau  (Angela Basset ROCKING a Pam Grier-style early 70s ‘fro) sat down across from Anna Leigh Leighton and an actual peace treaty was brokered between the Salem Witches and the Voodoo Witches in 170, 1971 at the latest. “They had their territory, we had ours,” says Chantal, Marie’s closest (human) friend. Neither side crossed into the others. “No more bloodshed at one another’s hands. The rest of the world was cruel enough.” (Hear hear).

Is your seatbelt fastened?

 

15. Chantal was telling Marie Laveau this because Laveau was going to do something that shattered the decades-long truce (apparently sending them the Minotaur’s/her former lover’s head in a box, probably no good to her without his corresponding body –which I assume the witches burned, dismembered, or otherwise destroyed–was the last straw). This plan involved elaborate chalk drawings on the floor,  baskets of extremely substantial snakes,* what looked like an old noose or series of knots, and the sacrifice of one unfortunate snake (we saw a blood-soaked rooster head in the next episode in a continuation of the same scene).  Yup, she’s summoning what looks to be at least twenty her zombie slaves to attack her enemies again. This time they include the fat racist from the prologue, a decayed bride, and in my favorite reveal of the night–actually, maybe the most frightening sight so far of the season– Delphine LaLaurie’s three (un)dead daughters. Marie opens the door to what she assumes to be trick-or-treaters and is greeted by the sight of their swaying, absolutely ghastly corpses standing on her doorstep.

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Stray thoughts:

  • The Academy sure had a lot more students back in 1971.
  • If you were in charge of handling the trick-or-treaters on Halloween night… well, I don’t know about you, but I’d damn sure check the peephole after an ominous, measured pounding on the door like that.
  • The last official witch-burning decreed by The Council was in 1926.
  • The final shot of the episode where the camera tracked back and back to reveal the veritable army of Laveau’s shambling zombie slaves just took my breath away, and I couldn’t have asked for a more perfect Halloween cliff-hanger.
  • Ryan Murphy has very recently teased that the season finale will include the “Test of the Seven Wonders” that a Supreme must demonstrate to the Council in order to officially be declared. In this episode, we heard during a dinner conversation that two of the seven wonders were pyrokinesis and transmutation (Fiona “aced” them both).  You’re probably already well aware the first is the ability to start fires with your mind; the second is defined by Google as “the action of changing or the state of being changed into another form”. That sounds like it’s going to be quite interesting to see…Screen shot 2013-11-12 at 3.07.47 AM

*In several interviews to promote the season, Ryan Murphy said that Season 3 would feature two “Big Bads” – The Minotaur and The Axeman. The jury’s still out on The Axeman – we do have a theory that connects The Axeman to something shocking Fiona did, but that’s for later.

**There was something about that first scene that just made me giggle; maybe the matter-of-fact way Denis O’Hare played it, like it was a completely normal way to relax after he was off duty and in his quarters. Put on antique, quaint record of innocent little music? Check. Pour tea carefully for dolls at table? Check.  Get out fancy lace napkin and prepare to–hey, is that someone arguing downstairs? Guess I should get dressed and go see what’s up.

***Wonder who in the cast has a phobia of snakes (if anyone)? For Angela Bassett’s sake, I sure hope she’s not scared of them (since she seems to have all the snake-handling scenes). If she is scared of them (say, the way I’m scared of spiders; unless the job paid well enough for me to retire very comfortably on, and involved a large supply of Xanax, I’m not even sure I could pick them up, let alone let them crawl on any part of me) then my respect for her acting ability just hit a new high, because she remains regal and composed in all her scenes with live snakes.

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This Week’s Cover: Behind the scenes at ‘American Horror Story: Coven’ — it’s magically delicious!

I do recommend the issue for lots of fun content and interviews with the three cover models here, but HEADS UP! The piece plays kind of fast and loose when it comes to spoilers (the cover itself is one big hint that they go into detail over; kind of late for a warning there).. Worse yet, we find out that there are only twelve episodes this season! Seven down, five to go. If you can’t stand not to read the cover story (we don’t blame you, too many goodies) but are wary of spoilers, skip the page on “The Horrors Ahead” – which lists ten upcoming story points. I suggest just folding the page over on itself and reading around it for a good compromise. Apparently, the season also won’t be a wrap until January, which means we’ve got something to ease any post-holiday depression!

 

‘The Simpsons’: Guillermo del Toro on creating the epic opening to ‘Treehouse of Horror XXIV’

If you’re getting the sense that del Toro is a big fan of The Simpsons, you’re right. Not only did he slip a few homages to The Simpsons in Hellboy (“Mmmm, nachos” “Why you little…!”), he has a room in his house that’s brimming with Simpsons memorabilia. “My favorite is a 30-inch tall Mr. Burns as Dracula that they only make in Germany,” he says. “It’s a really good sculpture. It’s going to run away eventually, but I think that’s very appropriate.”

-from the EW.com article by Dan Snierson

Don’t miss this! It is almost impossible to count the homages and references here. The classic Universal Studios monsters, artist Charles Burns, Brian DePalma‘s Phantom of Paradise, Lovecraft, Bong June Ho’s The Host, Ray Bradbury‘s The Illustrated Man (short story collection and the movie), Todd Browning’s Freaks (watch for the pinhead from the movie; I’d say it was an American Horror Story Asylum reference but it’s in a shot with a bunch of really old-school monsters and aliens, including the Ray Harryhausen skeletons)… they have to be into the triple-digits. Mrs. Horror Boom was going to be all clever and try and list them all, but that’s pretty time-consuming even without a nasty headache. Of course, special attention is paid to Guillermo Del Toro‘s movies (even ones that most moviegoers aren’t familiar with), especially Pan’s Labyrinth. Just check out the screen caps in the gallery link right here, and see how many you can spot… and enjoy this year’s Treehouse of Horror, which airs this Sunday, October 6th!

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Venice Film Review: ‘Gravity’

As brilliant and thrilling as this reviewer found Alfonso Cuaron‘s Gravity (and all the other reviews we’ve read so far are equally enthusiastic; we’re pretty confident this movie’s got the goods), we’re honestly not sure if our nerves could take seeing the film. The trailer and clips we posted had us teetering on the verge of a fucking panic attack. On the other hand, there are quotes from Justin Chang’s review here like the following:

The outstanding post-production 3D conversion enhances our sense of immersion in this foreign environment at every turn. Images of outer space give new meaning to the term “deep focus,” while the scenes set in enclosed environs provide a pleasing visual balance and contrast, with floating objects supplying a natural depth of field. As visual an experience as the film is, it would be far less effective without the exceptional sound work by production mixer Chris Munro and sound designer Glenn Freemantle, which makes especially potent use of silence in accordance with the laws of outer-space physics. Helping to vary the soundscape is Steven Price’s richly ominous score, playing like an extension of the jolts and tremors that accompany the action onscreen.

OK. Maybe if we had a glass of wine before the showing,  we could chill out enough to take in the thrilling experience, and–

…all joking ceases when Houston (voiced by Ed Harris, in a nice nod to “Apollo 13″) suddenly reports that a cloud of debris, triggered by the self-destruction of a nearby Russian satellite, is headed their way. The camera, having gracefully bobbed and weaved around the astronauts without a single cut so far, continues to observe with unblinking concentration as the ship is pelted with shrapnel, killing the third astronaut, causing widespread damage and severing all communications with Houston. Amid the chaos, Stone comes untethered and finds herself spinning, alone and helpless, in the vast emptiness of space, an experience the audience will soon share to a deeply unnerving degree.

Ooooor maybe a bottle. Damn! Read on for more about the film from Justin Chang’s Variety review.Gravity will open October 4, 2013!

 

Adam Wingard’s “You’re Next” – We Get The Feeling You REALLY Want Spoilers (Spoiler Alert)!

Due to the fact that several variations of “You’re Next spoilers” have been our top Google search term per our WordPress statistics for the past ten days, and the fact that a Variety review that we “Re-Pressed” that simply contained the tag “you’re next spoilers” because there were some mild spoilers in there has been getting top traffic …even over The Conjuring pieces and brand-new American Horror Story Coven details (and even the notorious ‘ Is This The Face of Javier Botet as Mama?’ piece, which is responsible for something like 30% of Horror Boom’s total number of hits over the last year). If those weren’t enough big enough hints, we’ve gotten a flood of actual requests.  So!  We’re guessing people would be happy if we posted some spoilers for Adam Wingard‘s You’re Next, which opens August 23rd.

A 'blink and you'll miss it' shot from the trailer

A ‘blink and you’ll miss it’ shot from the trailer

We had two options after combing online for specific details: either write a long, thoughtful piece that combines every single spoiler into a coherent, elaborate synopsis of the entire film that’s as close as we can get without having seen it, or give you a series of direct links to the pages that contained the most details. For now, we’re going with the latter due to 1. time constraints and using all our energy to find what we already did (going through endless message board threads takes longer then you’d think, and there’s a surprisingly small amount of spoilers for this flick out there) and 2. we already feel sort of vulgar blurting it out.  People have been going nuts to see this (after waiting since 2011, the first Midnight Madness at TIFF premiere) and anticipation is high (despite the really lame TV spots and, sadly, countless instant comparisons to The Strangers and even The Purge that some–sorry–ignorant moviegoers have been assuming from a glance at the posters without doing any further investigation into what the movie is about). Thus, we don’t think it’s gonna flop at the box office due to spoiler spillage. This writer still feels slightly tacky for posting these major spoiler links, even though people have asked repeatedly (and politely).

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OK then! SPOILER ALERT, these links contain SPOILERS! You may have to highlight or mouse over the text for some, but they’re right there. You want spoilers? Here’s the links and what you get.

  • At the end of this thread (if it’s not already, set preferences to ‘flat’ so all the posts in the thread are inline and you don’t have to click a dozen times to get to what you want to read) there is a list of how every character dies, and who survives. Then there’s a newer post that elaborates and clarifies all of them. THEN someone asked for clarification and key plot points late in the movie, and pretty much all the big reveals are… revealed. Maximum spoilage, so tread lightly! http://www.imdb.com/title/tt1853739/board/flat/212515132
  • Here’s a funny, good review of the flick I found on Topless Robot (heh) that really sets up the plot and characters in the movie, and contains spoilers (including on kills). It’s good reading (if you don’t mind some spoilers; this is NOT a review I would even think about recommending to anyone who wants to read a review, but also go in as clean as possible before seeing You’re Next). It’s also a handy guide to keeping the characters straight when you’re reading spoilers that name names: http://www.toplessrobot.com/2013/06/laff_review_youre_next.php
  • And last but not least, here’s the IMDB parent’s guide. Several people contributed and wrote  the “violence/gore” spoilers, meaning you’ll see some things repeated. One of the contributors, though, took pains to mention character names and sort of set up the scenario for the act of violence/gore in a very, very spoiler-y way, basically explaining entire scenes. Those red “Spoiler!Spoiler!” areas you need to mouse over, added specifically so that no-one accidentally spoils themselves by merely glancing at some words before they realize it, were inserted by yours truly.  http://www.imdb.com/title/tt1853739/parentalguide

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We hope this scratches that spoiler itch for You’re Next. Honestly, we’d advise you to wait till you see the movie–hey, you waited this long, you can make it till opening weekend–to preserve the surprises, but if you really must know… then you’re welcome.

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Oh, and the below photo–shown VERY fast in the trailer–is spoiler-y. It’ll fit right in if you read the IMDB Parent’s Guide we linked to. You’ll know who this chick is…

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“You want to (spoiler) me on top of (spoiler)?”

*I had to actually take a break from researching because I got sick of threads with titles like “Total ripoff of the strangers? U can totally figure it out”. Then I just started to get noticeably depressed when I saw that quite a few groups of people thought that it was about an actual wolf, lamb, and tiger who were hunting humans in their home. (Rant warning) For some reason the ‘actual animals’ in question in this imagined scenario would bother to dress up in people’s clothing and wearing white masks over their real animal faces (I guess, so they’d be incognito),plus be able to operate crossbow mechanisms. When I started seeing arguments about how it was unrealistic to have animals as the masked killers because sheep, big cats, and wolves couldn’t operate doorknobs,  my brain just made a unilateral decision to power down in order to protect itself.  This stupid bullshit wasn’t one or two stupid people or grade-schoolers, but entire fucking  factions.  I guess I was asking for it… but these are the kind of idiots who give real horror fans a bad name, and that pisses me off. (End of rant).

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Is this connected to the “five knives” scene mentioned in those spoilers? We kinda think so…

‘Gravity’: Harrowing new clips of George Clooney and Sandra Bullock astronaut thriller

What’s that, you say? The “Detached” trailer from Alfonso Cuarón’s space disaster nail-biter Gravity that we recently posted made your heart pound and your chest (and throat) tighten, but now that feeling is wearing off and you’re feeling annoying calm and relaxed?  Well, get a load of these two new clips. You’re welcome! Seriously, though, we don’t know if we’re brave enough to see this on the big screen in 3-D (converted post-production) when it opens (on October 4th) without a stiff drink first. We also cannot WAIT!  Gravity will also kick off the 2013 Venice Film Festival (withdrawn from competition, it will simply premiere) in late August.