Oh, this is to die for. Especially the TV and VHS tapes it comes with. 4,536 yen converts to about $44.00 US, and with the shipping costs… it would almost be worth it to have it out on the coffee table, though!
For plenty more REALLY cool photos, click “View Original” in the lower left.
As before, the giddily over-the-top action attains a hyper-real quality that stays just this side of believable thanks to a combo of sweeping handheld camera moves (by lensers Matt Flannery and Dimas Imam Subhono) and expertly chosen locations that turn Jakarta’s brothels, subways, restaurants, offices and highways into one sprawling, splattery urban playground. If the action choreography (handled by Evans, Uwais and Ruhian) tilts toward the usual tactic of having a bunch of bad guys line up and wait their turn rather than clobbering their opponent all at once — a tactic that works better in close quarters than in wide-open spaces — the stunt work happily remains too consistently, impossibly convincing to dull the pleasure in the moment. And once again, the director (who edited the film with Andi Novianto) proves a dab hand at keeping the action in near-continual motion without sacrificing visual clarity.
-From Justin Chang’s attached Variety review of The Raid 2: Berandal
Oh! That’s why The Raid 2: Berandal didn’t show up in Variety’s SXSW review column after the SXSW premiere: press showings were back in January! Whoops. Well, we’ve finally got a link to it, anyway. The below is a photo Gareth Evans tweeted. This is actually the less bloody one:
Check out Justin Chang’s review from Variety by clicking on “View original”. This time around, sounds like a little more of a slow burn, but we’re still there if it plays in the theater. Especially for bad-ass “Hammer Girl”…
(This is exclusive to EW.com- Horror Boom just reblogged it). Check out a larger image AND the trailer for the upcoming The Raid 2 by clicking on “View Original” in the lower left. Plus, we’ll post (or re-blog) Variety’s SXSW review…the premiere is tonight!
OK, I’m not saying this doesn’t look ridiculous, but it also doesn’t look half-bad. I’d rather watch prosthetic creature effects over half-ass CGI anyway. Plus, Bill Burr is in it, and he usually doesn’t sign on to act in shitty movies (or TV series – case in point, Breaking Bad) and he’s also funny as hell. Check out the photos (at least one is really gory; I almost used it as the ‘featured image’ but chickened out at the last second) and the trailer. Director Jordan Rubin also digs 80s horror and says in the EW.com article that “I would say it’s a horror movie in the traditional, ‘80s-sense… it’s played completely straight in the face of the ludicrous conceit, which is obviously complete insanity.” So far, so good. (Click on “View Original” to check out all the gory pics and the fun trailer)
“As the characters disperse and regroup, Chan exploits the mass-panic scenario for farce as well as terror, with an original mash-up of epidemic/zombie/sci-fi horror elements that makes “Contagion” and the “REC” franchise look square by comparison. Dream sequences and spooky visions further add to the surreal atmosphere, and the revelation of each character’s dark side culminates in a highly political message about the loss of morality and compassion following a critical transition, as symbolized by their passing through the tunnel. Chan leavens the heavier dialogue scenes with a few punchy action sequences en route to a big-bang finish at once funny, sad, allegorical and provocatively open-ended.” -From the Variety review by Maggie Lee.
Well, I’m not sure if it’s practical to see anything that makes [REC] look “tame”. If you’ve seen [REC] (and [REC 2] isn’t especially soothing to your nerves either) I’m sure you’ll understand; the former consistently makes our Top Ten Scariest Movies Ever Made list (and I’d have to be in a brave mood to see something that’d knock it off the list). Director Fruit Chan’s Dumplings (2004) would probably make it to another Top Scariest list, just a longer, more-inclusive one. Despite that, we cannot WAIT to see The Midnight After. Let’s all cross our fingers that all the positive buzz that this Berlin film festival showing is getting means that The Midnight After gets snapped right up for US distribution rights FAST! Read on.
OK, we’re not sure whether this review is an endorsement to horror/gore fans (sounds like you damn well better be into both if you plan on seeing it) or a warning. When a review describes a J-horror slasher/action movie as “utterly depraved” and “profoundly sleazy,” that’s going to get it in our watch list. On the other hand, the VERY red band trailer on Dread Central (which you can watch here on their site, there’s no You Tube link) does look sort of torture porn-y (even very ‘cinematic and sophisticated’ torture porn, as Variety’s reviewer Rob Nelson tells us). Every female in the trailer is a victim; though men are the victims of burnings and throat-slashings, the female victim’s deaths shown are more lingering and focused, with a little bit of the what the hell is wrong with me, purposely sitting through this?‘ vibe of self-disgust that certain graphic Japanese horror movies can give you. On the other hand, when a review actually tells you (in a one-word sentence) “Beware”, and is talking about the horrifying content rather than the worthlessness of sitting through the film, we’re not going to rule it out. Since the Sundance premiere on February 1st (we’re willing to guess at least a few moviegoers were heading for the exits during the brutal opening scene), North American distribution has been picked up by Well Go USA.
Given his ability to look by turns pathetically broken and totally badass (plus he can rock a buzz cut and what looks like a 10-year beard), Brolin is as ideal an actor as any to steer viewers through “Oldboy’s” grisly funhouse of horrors. Yet while he’s up to the role’s intense physical and emotional demands, the star seems to hint at demons seething beneath the surface without fully embracing them, never tapping into the raw, animal-like ferocity that made Choi Min-sik such a frighteningly human monster. In similar fashion, Lee and Protosevich have made a picture that, although several shades edgier than the average Hollywood thriller, feels content to shadow its predecessor’s every move while falling short of its unhinged, balls-out delirium.
-From Justin Chang’s Variety review of Spike Lee‘s Oldboy remake – hit the ‘Read More’ link to check out the entire thing. Almost all the reviews we’ve read are similar. Think we’ll wait… and in the meantime, watch the Park Chan-Wook original again.
If you’re getting the sense that del Toro is a big fan of The Simpsons, you’re right. Not only did he slip a few homages to The Simpsons in Hellboy (“Mmmm, nachos” “Why you little…!”), he has a room in his house that’s brimming with Simpsons memorabilia. “My favorite is a 30-inch tall Mr. Burns as Dracula that they only make in Germany,” he says. “It’s a really good sculpture. It’s going to run away eventually, but I think that’s very appropriate.”
-from the EW.com article by Dan Snierson
Don’t miss this! It is almost impossible to count the homages and references here. The classic Universal Studios monsters, artist Charles Burns, Brian DePalma‘s Phantom of Paradise, Lovecraft, Bong June Ho’s The Host,Ray Bradbury‘s The Illustrated Man (short story collection and the movie), Todd Browning’s Freaks (watch for the pinhead from the movie; I’d say it was an American Horror Story Asylum reference but it’s in a shot with a bunch of really old-school monsters and aliens, including the Ray Harryhausen skeletons)… they have to be into the triple-digits. Mrs. Horror Boom was going to be all clever and try and list them all, but that’s pretty time-consuming even without a nasty headache. Of course, special attention is paid to Guillermo Del Toro‘s movies (even ones that most moviegoers aren’t familiar with), especially Pan’s Labyrinth. Just check out the screen caps in the gallery link right here, and see how many you can spot… and enjoy this year’s Treehouse of Horror, which airs this Sunday, October 6th!
Even though Fruit Chan‘s entry, “Jing Zhe,” is supposed to be the best segment (remember “Dumplings” fromThree Extremes? If you don’t, you didn’t see the movie), we can’t wait to see the other two – the set-ups sound great to us. Hopefully we won’t have to wait more than, oh, a year (SIGH) to get a look at Tales From The Dark, Part 1 (let us know if you have any leads, because we can’t wait)!
Well, this Geek Goddess hasn’t seem the movie yet, but we DO have an interesting piece coming up focusing on the kaiju (I feel like that word should be capitalized, for some reason.) but we’ll probably go if we can, since it’s playing on the most awesome one-screen theater in Seattle, the historic Cinerama. Everyone at Horror Boom is The Conjuring-crazed right now, though, so it’s kinda hard to focus on anything else.