Godzilla movies, like wrestling matches, are ultimately judged by the quality of the mayhem, and Edwards excels at blowing things up. Though some of the first visual effects we see onscreen (the Filipino mine, the Japanese nuclear plant) look phony, especially projected in post-converted 3D, the creature effects are terrific, using phosphorescent accents — glowing gold for the MUTOs, blue fire for Godzilla — to make the monsters look even more menacing after dark. And though the film banishes most of their fighting to the background, basing their movement on motion-captured performers represents an inspired way of updating the lo-fi, B-movie tradition in which audiences charitably forgot that they were cheering for a guy in a rubber suit stomping through a cardboard city.
-from the Variety review of Godzilla by Peter Debruge
You know, this is only the second ‘mixed’ review I’ve seen (Dread Central loved it–said it wasn’t perfect, but any flaws could be forgiven just for the sheer joy fans will get seeing this Godzilla actually breathe fire) but people responding to the reviewers who take jabs at the reboot are ANGRY. Also, they make some good points. Other than the above quote, the tone of this review is snotty, and dripping with such disdain that I don’t think the reviewer really understands or knows how to enjoy a monster movie. Also, when it comes to insulting Bryan Cranston’s acting, my advice would be …to tread lightly. If the reviewer was in a nuclear plant going into meltdown mode and was separated from his wife, I think he’d hyperventilate too. Bitch, please.
Click on “View original” in the lower left to read on– and check out the comments from readers (34 as of this writing).
I think it was a great tribute to the original Japanese films. I would have loved to stomp on the casinos myself