Ten–No, Fifteen Spooky Things We Learned From American Horror Story Coven Episode Four, “Fearful Pranks Ensue”

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Better late than never. The reveals and new characters have been coming so quickly, we picked a really bad season of American Horror Story to slip behind in our episode coverage! So, without further ado, let’s dive into the list, which we tried to pare down to ten but would have left out too much information, so the hell with it… fifteen it is.

Who doesn’t love a surprise?

 

1.  Well, so much for The Minotaur being “this season’s Bloody Face”* At the very least, the Minotaur–or Bastien, as Marie Laveau called him–is out of commission for a while. Fiona dispatched him in the greenhouse …off camera. Took care of him pretty goddamned fast, too; in the scene where she’s asking for Cordelia’s help with the badly injured Queenie, Fiona wasn’t any more rumpled than she’d been when she discovered Queenie. His head –still living– got delivered to Cornrow City in a cardboard box by Spalding (“Some freak dropped it off and didn’t say a word”). This did not have a beneficial effect on Marie Laveau‘s already-serious resentment towards Fiona.

2. Kyle’s not home. No Kyle. Zoe realized, sadly, that he’s just a collection of sewed-together frat guy parts, with Kyle’s head on top. With a heavy heart, Violet Zoe makes him a snack with rat poison in it… but in the time she took to put his last meal together, he vanished. On Halloween night, where he’s going to blend in.

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3. Fiona was able to somehow breathe life into Queenie when Cordelia told her that Queenie’s heart had stopped. If this is one of “The Seven Wonders” that a Supreme must demonstrate before it becomes official, Zoe and Misty are definitely in contention.

Me? I was a monster.

 

4. We saw in the heartbreaking cold open that Marie Laveau can summon and command the dead, if some serious revenge is called for. These aren’t your mainstream zombies that want to eat you and then you wake up wanted to eat people. They want to rip their master’s enemies apart limb from limb when summoned. They can also use tools, unlike mainstream standard zombies. This season, the cold opens just keep topping each other; the scene where Laveau gave those evil, racist assholes the fate they deserved was not only satisfying, but perfectly executed. I especially like the confederate soldier voodoo zombie with the bayonet – and the shot of Laveau in the featured image for this piece.

I must confess, I’ve always enjoyed our little talks together… particularly since you lost your tongue.

 

5. According to Cordelia, Madison couldn’t have been the next Supreme; one of the hallmarks of a rising Supreme is excellent health, and Madison had a heart murmur. If you didn’t catch Jessica Lange’s oh shit! facial expression the first time you watched, it’s priceless enough to re-watch for that alone.

6. Hank is not only a cheater, he’s a cold-blooded killer. In an extremely upfront way.

Yeah, their blood. I used it to paint my day room brick-red.

 

7. The Council is in town! The council is composed of Myrtle Snow (you remember her- she didn’t have much screen time, but definitely made an impression in the season premiere), Quentin (who Fiona greets, not unkindly, as a “vicious old queen”), and the plain, monotone Pembroke. Nan summoned them because she couldn’t hear Madison anymore and was afraid she was dead.

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8. The first rule of Witches Council is never talk about the Wi– whoop, sorry, wrong secretive group!  We find out that the Council on Witchcraft assembles “only under the gravest of circumstances”.

9. We learned another very important law of The Counsel: the penalty for inflicting grievous bodily harm on a fellow descendant of Salem is …death. By fire!

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10. Spalding’s batshit rituals (ar the start of act one. he was hosting an elaborate tea party in the attic, with just him and what looked like 100  at last china dolls dressed to the nines).** just seemed eccentric (and hilarious) at the start of the episode. It started being not even mildly amusing when they gave us the reveal that Spalding had NOT in fact buried Madison as Fiona instructed him to, but had added her body to his doll collection. Forget the fact that he’s wearing a baby bonnet; creepier yet was the fact that though he’d obviously dressed her up (with a strategically-placed, pretty scarf to hide her slashed throat), she was just wearing her bra and panties.

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11. Myrtle really, REALLY hates Fiona. Fiona’s not too fond of her either, but Myrtle has hated her for roughly 40 years – mainly because she figured out Fiona did something terrible to Anna Leigh (murder, specifically), back in 1971, followed shortly by Spalding being discovered with his tongue laying on the bathroom floor a couple of feet away from him as he lay yelling in horrible pain (and a spray of blood on the mirror …after Myrtle enchanted it to speak only the truth. Also, Fiona was a mean-spirited little bitch to Myrtle. Fiona also sort of took off (all over the world; I think the word Myrtle used was “jet-setting”) after being officially named the Supreme, and didn’t do any of the paperwork (three unsigned ‘Winter Petitions’) or participation in official witch duties and meetings that a Supreme is supposed to.  The last forty years she’s thought that Fiona didn’t deserve to be the Supreme, and now she want to get her convicted by the council and burned at the stake ASAP.

Tonight I’m gonna let the whole world in, get a good look at me.

 

12. We also learned via flashback (1971) that  Spalding voluntarily cut out his own tongue to protect Fiona. The night before he was to testify officially, he sent young Fiona note to meet him in some upstairs bathroom. He thanks he politely for coming, then told her, “These are my last words, Miss Fiona. I have always loved you.” Then he used a straight razor to slice his tongue out. Maybe Myrtle should have looked around at dinner earlier that night to make sure that Spalding wasn’t, oh, standing directly the fuck behind her before confiding to a friend that she put a spell on his tongue so he could speaking nothing but the truth.

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13. Unfortunately for Cordelia, she has a low alcohol tolerance (though more than three shots of Maker’s Mark and I’d start feeling like I might need to run to the nearest ladies room to puke, too).  She was enjoyed a nice Halloween night out for cocktails with Fiona, and they were even getting along fine. After she was done being violently sick she went to splash some water on her face, and got taken off guard by a hooded, robed figure in black who tossed sulphuric acid at her face… right in her eyes. She shrieks in horror and pain at the top of her lungs, as loud as… well, probably as loudly as any of us would if we were minding our own business in what we thought was a safe restroom and had blinding acid tossed directly in our eyes. Eeeeek.

14. In yet another stunningly-lensed flashback, we learn that after over a decade of bloodshed and heartbreak, Marie Laveau  (Angela Basset ROCKING a Pam Grier-style early 70s ‘fro) sat down across from Anna Leigh Leighton and an actual peace treaty was brokered between the Salem Witches and the Voodoo Witches in 170, 1971 at the latest. “They had their territory, we had ours,” says Chantal, Marie’s closest (human) friend. Neither side crossed into the others. “No more bloodshed at one another’s hands. The rest of the world was cruel enough.” (Hear hear).

Is your seatbelt fastened?

 

15. Chantal was telling Marie Laveau this because Laveau was going to do something that shattered the decades-long truce (apparently sending them the Minotaur’s/her former lover’s head in a box, probably no good to her without his corresponding body –which I assume the witches burned, dismembered, or otherwise destroyed–was the last straw). This plan involved elaborate chalk drawings on the floor,  baskets of extremely substantial snakes,* what looked like an old noose or series of knots, and the sacrifice of one unfortunate snake (we saw a blood-soaked rooster head in the next episode in a continuation of the same scene).  Yup, she’s summoning what looks to be at least twenty her zombie slaves to attack her enemies again. This time they include the fat racist from the prologue, a decayed bride, and in my favorite reveal of the night–actually, maybe the most frightening sight so far of the season– Delphine LaLaurie’s three (un)dead daughters. Marie opens the door to what she assumes to be trick-or-treaters and is greeted by the sight of their swaying, absolutely ghastly corpses standing on her doorstep.

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Stray thoughts:

  • The Academy sure had a lot more students back in 1971.
  • If you were in charge of handling the trick-or-treaters on Halloween night… well, I don’t know about you, but I’d damn sure check the peephole after an ominous, measured pounding on the door like that.
  • The last official witch-burning decreed by The Council was in 1926.
  • The final shot of the episode where the camera tracked back and back to reveal the veritable army of Laveau’s shambling zombie slaves just took my breath away, and I couldn’t have asked for a more perfect Halloween cliff-hanger.
  • Ryan Murphy has very recently teased that the season finale will include the “Test of the Seven Wonders” that a Supreme must demonstrate to the Council in order to officially be declared. In this episode, we heard during a dinner conversation that two of the seven wonders were pyrokinesis and transmutation (Fiona “aced” them both).  You’re probably already well aware the first is the ability to start fires with your mind; the second is defined by Google as “the action of changing or the state of being changed into another form”. That sounds like it’s going to be quite interesting to see…Screen shot 2013-11-12 at 3.07.47 AM

*In several interviews to promote the season, Ryan Murphy said that Season 3 would feature two “Big Bads” – The Minotaur and The Axeman. The jury’s still out on The Axeman – we do have a theory that connects The Axeman to something shocking Fiona did, but that’s for later.

**There was something about that first scene that just made me giggle; maybe the matter-of-fact way Denis O’Hare played it, like it was a completely normal way to relax after he was off duty and in his quarters. Put on antique, quaint record of innocent little music? Check. Pour tea carefully for dolls at table? Check.  Get out fancy lace napkin and prepare to–hey, is that someone arguing downstairs? Guess I should get dressed and go see what’s up.

***Wonder who in the cast has a phobia of snakes (if anyone)? For Angela Bassett’s sake, I sure hope she’s not scared of them (since she seems to have all the snake-handling scenes). If she is scared of them (say, the way I’m scared of spiders; unless the job paid well enough for me to retire very comfortably on, and involved a large supply of Xanax, I’m not even sure I could pick them up, let alone let them crawl on any part of me) then my respect for her acting ability just hit a new high, because she remains regal and composed in all her scenes with live snakes.

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Film Review: ‘Oldboy’

Given his ability to look by turns pathetically broken and totally badass (plus he can rock a buzz cut and what looks like a 10-year beard), Brolin is as ideal an actor as any to steer viewers through “Oldboy’s” grisly funhouse of horrors. Yet while he’s up to the role’s intense physical and emotional demands, the star seems to hint at demons seething beneath the surface without fully embracing them, never tapping into the raw, animal-like ferocity that made Choi Min-sik such a frighteningly human monster. In similar fashion, Lee and Protosevich have made a picture that, although several shades edgier than the average Hollywood thriller, feels content to shadow its predecessor’s every move while falling short of its unhinged, balls-out delirium.

-From Justin Chang’s Variety review of Spike Lee‘s Oldboy remake – hit the ‘Read More’ link to check out the entire thing. Almost all the reviews we’ve read are similar. Think we’ll wait… and in the meantime, watch the Park Chan-Wook original again.

 

This Week’s Cover: Behind the scenes at ‘American Horror Story: Coven’ — it’s magically delicious!

I do recommend the issue for lots of fun content and interviews with the three cover models here, but HEADS UP! The piece plays kind of fast and loose when it comes to spoilers (the cover itself is one big hint that they go into detail over; kind of late for a warning there).. Worse yet, we find out that there are only twelve episodes this season! Seven down, five to go. If you can’t stand not to read the cover story (we don’t blame you, too many goodies) but are wary of spoilers, skip the page on “The Horrors Ahead” – which lists ten upcoming story points. I suggest just folding the page over on itself and reading around it for a good compromise. Apparently, the season also won’t be a wrap until January, which means we’ve got something to ease any post-holiday depression!

 

NEW- Read Ten BIG Secrets of Last Half Of The American Horror Story Coven Season, Spilled By Ryan Murphy (SPOILERS)!

Uh… wow. We’re not entirely sure if Ryan Murphy knows the difference between a “tease” and a spoiler. Lots of these are pretty juicy, and there’s a couple we wish we hadn’t read, or that Murphy had been a little more vague on. But of course, we read them anyway!  The link to the 10-page EW.com piece (which may or may not be an online exclusive, since the issue with the Entertainment Weekly cover story hasn’t shown in the mail yet) puts them on 10 different pages, so you have a chance to stop yourself before you read the next one.

We’ll try to keep the topics vague, but among other things, Ryan Murphy spills on:

  • Exactly how and why Stevie Nicks shows up (we had a theory on it, and now Murphy has confirmed it)
  • Witch Which core characters the last half of the season will focus on
  • If anyone has correctly guessed who the Supreme will be
  • Which character who only had a couple of scenes, then vanished, will be back with a vengeance
  • How Marie Laveau got her eternal youth/immortality (hint: ever heard of Papa Legba?)
  • Delphine LaLaurie‘s upcoming character arc
  • Who has what Murphy refers to as a “juicy midlife crisis”
  • Much more specific info about the witch hunter/s
  • The tone of the finale (which will air near the end of January)

SO, if any of those sound interesting to you and you want some BIG hints (and a couple things Murphy just blurted out rather than hinted at), click the big link below, buckle up, and check out the article! The Stevie Nicks reveal is #10, so you could always skip-click through the first 9 pages to get to it and find out, if you want.

American Horror Story: Coven :  10 Teases  – Photo 1 of 10 | EW.com.

 

And yes, there will be a Christmas break- probably longer than the current Thanksgiving break. The next episode, “The Sacred Talking”, airs on December 4th, 2013 (Eeeek!)

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‘American Horror Story’: Ryan Murphy on the latest ‘Coven’ and what’s next for Madame LaLaurie — EXCLUSIVE

“Beautiful.”

Not thrilled we won’t have a new American Horror Story Coven episode for two goddamned weeks (one week is already too long to have to wait), though hopefully I can get caught up on the episode write-ups and then hit the ground running, since this plot –multiple plots, actually– is moving along quite speedily. But check this Entertainment Weekly Exclusive interview with Ryan Murphy out to see what’s ahead, and since we have a subscription, we can’t WAIT to see the AHSC cover story show up in the mail on Friday!

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‘SOA’ creator Kurt Sutter talks about this week’s shocking death — EXCLUSIVE

It’s been a long time due (many fans say overdue) but we’re still gonna miss seeing Perlman as this character until the Sons of Anarchy series finale in 2014. Speaking of Perlman, you can read the other Entertainment Weekly Online Exclusive interview with the only actor we could ever imagine bringing Clay Morrow to life by clicking here; well worth checking out. Oh, and in case you were wondering, the episode title “Aon Rud Persanta”  is Gaelic for “Nothing personal,” more or less (source: Zack Handlen, The A.V. Club – here’s a link to his excellent review).

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‘Sons of Anarchy’: Ron Perlman talks about this week’s shocker — EXCLUSIVE

EW.com: What’s your fondest memory?
Ron Perlman: I remember the chapel scenes. When I’m sitting on my rocking chair in the old age home and all the other actors are sitting there thinking about great moments in their lives, I’ll be thinking about the chapel scenes with Tig on my right and Jax on my left, me at the head of the table where I’m smoking cigars and we’re making plans, kicking ass and taking names. That’s what I’m gonna remember about the show because that , to me, was quintessential Sons of Anarchy.

Can’t believe they wouldn’t let Ron Perlman take those cool-ass boots from Pacific Rim (Where is my GODDAMNED shoe?!”). Much as we wanted this guy dead–you don’t beat Gemma Teller’s face to a pulp and pass away of natural causes– we were kind of sorry to see him go. Check out the Perlman interview (click the “read more” link above as usual) and the other Entertainment Weekly Exclusive interview with Kurt Sutter for more by clicking here. Oh, and nice practical effects, too. Like Jax said a couple of scenes later: they earned that blood.

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Blu-ray Review: The Conjuring

(NOTE: You Tube clip and images not exactly showing up loud and clear? When you click on the link to read more, you’ll see them just fine on Rhino’s Horror)

Check out this excellent review of The Conjuring (including the features on the Blu-ray) …which Horror Boom agrees with 100%.  I actually lost track of the number of times I screamed aloud in panic. A handful of grown men in the theater got pretty vocal too, including one guy to the left opposite row from where we sat, who actually did a spit take when he made the mistake of sipping his beverage right before the wardrobe jump scene. At one point–I distinctly recall it was during the scene that took place in total fucking daylight where the Warrens played back their recording of the interview with Andrea and heard …well, what they heard instead of her voice… I began unintentionally squeezing the other half of Horror Boom’s (my husband) hand so tight he winced and decided to just put his hand on my arm instead. See, this is why I kept running into a brick wall a couple of sentences in when I sat down to write a review of The Conjuring after seeing it in a packed theater–the scares and mood were so visceral I still can’t write a traditionally-structured review*. At this point, anyway, I’ve resigned myself to having to say the hell with it and just ended up having to relate my various reactions to the movie instead.

As for the Blu-ray features, Ryan’s got them covered. The Conjuring Blu-ray is going on our Christmas list just for the “Scaring the @#$% Out of You” featurette alone. Be sure to give this a read! Not to mention, no spoilers. If you haven’t seen it yet but have been meaning to …what are you waiting for?

*I’ve had the same thing happen with several other horror movies– the French horror film Inside comes to mind as an example. Don’t get me started…

Seeing as how I never got the chance to review James Wan’s The Conjuring when it scared up theaters back in July, I figured a Blu-ray review only made sense. Hitting shelves on October 22nd, acclaimed director James Wan’s The Conjuring follows a pair of paranormal investigators who help a family haunted by a demonic force, only to find themselves trapped in their own horrifying nightmare. The film stars Vera Farmiga and Patrick Wilson as Ed and Lorraine Warren; Ron Livingston and Lili Taylor as Roger and Carolyn Perron.

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