Whenever a movie’s tagline could be replaced with “It’s Just So Wrong,” it goes on my watch list (Inbred‘s actual tagline: They Came In Peace But Left In Pieces).
Alex Chandon pitches things perfectly between gory homage and something a little bit different from what we’ve seen many times before. The big difference adding freshness to the material is the way in which the onscreen horror is turned into a bit of a show by the villagers, adding a surreal aspect to proceedings. It’s like seeing a chamber of horrors being touted by P. T. Barnum.
-Kevin Matthews, flickfeast.co.uk
So, you remember Inbred– that UK movie I’ve been raving about since I started this blog, even though all I’ve seen are trailers? Well, that and plenty of print media giving the movie reviews ranging from glowing to raving. The blurb/quote from the review above sums up why this film has been insanely anticipated by horror fans everywhere for the past year.
Check out the latest red band trailer*, which was actually age-restricted when I first saw it on Dread Central. No such restriction on You Tube, though!
OK, I’ve actually done more than watch trailers. I’ve read plenty of print media giving Inbred reviews ranging from glowing to raving. Online, they’ve also gone the extra mile to promote the film everywhere, including personal responses to my questions (most of my questions are usually a more polite, articulate version of “WHEEEEEENNNN???”) on the official Facebook page, and a pretty impressive official website I’ve been following since I found it. I’d recommend joining the Inbred ‘group’ on Facebook for the most up-to-the-minute news; combine that with the enthusiastic Inbred website and you’ve got pretty much everything a fan could want. Once I read the ‘Director’s Statement’ on the site, I was 100% in, especially when he described Inbred as “the film I would love to sneak in and see aged 14 and feel very naughty doing so. It’s very wrong but very right.”
Done and DONE!
The first teaser trailer, which I literally saw around a year ago as of this writing (soon after Inbred’s debut at the London Frightfest in August 2011), had me sold off the bat at the very memorable image below:
It’s not just the gore. Oh, don’t get me wrong, that’s a big part of what got my attention, I’m just saying there’s other aspects. That initial trailer had little-to-no dialogue, which made me curious. what… the… FFFUUU— What was that, a gunshot wound to the head? Was it an accident, or deliberate? Is the guy turning around because he was going to retaliate, or just in shock? Is he going to stumble blindly around for awhile, or drop to the ground the second after what we saw ends? I’m kind of hoping it was a horrible mistake in a string of shocking events that makes whatever situation the protagonists are in even worse, but I want to know! Do you know how hard it is for a recovered spoiler-whore(you’re talking to one right now) to avoid spoilers for an ENTIRE YEAR? Three months before the Spatartus: Revenge season premiere on STARZ and I was falling off that wagon, shamelessly typing “Spartacus Season Two Spoilers” into the Google search box during weak moments.
The plot description/synopsis (that I read a year ago) as soon as I followed the URL from the trailer also gave me a good gut feeling about the movie. Here is the latest, from the official Inbred site:
A disparate group of young urban offenders and their care workers embark on a community service weekend in the strange, remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with some local inbred youths rapidly escalates into a blood-soaked, deliriously warped nightmare for all involved. This is a demented horror film with nowt taken out.
Better, check out this official background, also from the site; it really told me all I needed to know…
INBRED is the warped brain child of UK writer/director Alex Chandon, who is responsible for the independent cult feature films CRADLE OF FEAR (2001) and PERVIRELLA (1997) as well as numerous award winning shorts and music promos.
The script was written in 2009 and it immediately piqued the interest of New Flesh Films, who were looking for a strong feature to launch their company’s slate of productions. Private investors loved the INBRED script and decided to back the movie and so the wheels were set in motion. Alex developed a few drafts of the script and the final draft is co-written by his long time collaborator Paul Shrimpton, who lives in Yorkshire, where the film was eventually set.
It was while staying with Paul that Alex decided that Yorkshire was the perfect location for the film; Paul’s hometown of Thirsk has some stunning locations and a community untouched by film-makers and so they were all eager to help and get involved.
Producer Margaret Milner Schmueck previously worked on the production of Alex’s CRADLE OF FEAR and had in the interim period produced a body of award-winning shorts. Her strong connections with northern crew and talent sources made an interesting fit for INBRED so when Alex invited her on board as delegate producer to head up the production, Split Second Films (splitsecond-films.com) the Midlands based independent production company which Margaret co-founded became the UK production company.
In early June 2010 an 8 week pre-production period started for a 4 week shoot through August 2010. INBRED had a successful 26 day shoot and then the long post production stage went into progress. INBRED has over 170 shots that require some sort of digital visual effects. This process was undertaken by Alex Chandon and a select crew of talented artists and took 6 months to complete.
INBRED premiered at the prestigious FRIGHTFEST FILM FESTIVAL in London, UK in August 2011 to rave reviews and then played at a select few European festivals in late 2011, which also generated great positive feedback, which resulted in Darclight Films becoming the sales agent for INBRED at the very end of 2011.
So we all hope that 2012 is indeed the year of the INBRED!
That’s looking like a distinct possibility! Inbred finally has a UK DVD/Blu-Ray release date of October 15th, a UK theatrical release on September 21st, and best of all, a US release confirmed for this year. Many fans on various boards are so excited they’re buying a copy, sight unseen (hell, since I have a region-free player, I’d do the same thing if I wasn’t on such a low budget). When a movie is compared favorably to Peter Jackson’s Dead Alive by multiple critics and reviewers, I start to pay attention really fucking fast. Did I mention Alex Chandon is also a genre fan also grew up in the 80s horror boom?
Wait. What’s that? You’d like to see ‘The Inbred Song’, AKA ‘EE BY GUM’, as (apparently) performed in the actual movie? Well, okay! It’s worth it for the lyrics alone.
Say, that banjo player looks a little familiar, did he happen to have a memorable moment in most of the trailers?
*Oh, and they’re right, it IS harder to hold my breath for thirty seconds than I assumed (it’s either the subject matter, me being more out of shape than I thought, or a combination of the two).
- Official UK Quad Poster for Inbred Leaves in Pieces (dreadcentral.com)
- New Theatrical Trailer for Grave Encounters 2 (Electric Boogaloo) (horrorboom.com)
- First Films Announced for Telluride Horror Show (dreadcentral.com)
- Guillermo del Toro Presents Spooky-Ass First Trailer for “Mama” (2013) (horrorboom.com)
- Excision (2012) – This Is One Seriously Twisted Red Band Trailer! (horrorboom.com)